Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Kabluey

Share

  • rss

By Jim Ridley

Published on July 29, 2008 at 11:37am

From the film appearances of the San Diego Chicken to the penguin-suited thug who gave Jean-Claude Van Damme a flipper-smacking in Sudden Death, I can't think of a single instance in film history where a giant padded suit hasn't been funny — and in his plangently comic feature debut, writer/director/star Scott Prendergast extends the streak. Prendergast plays Salman, the ne'er-do-well sibling of a National Guardsman on extended stay in Iraq. With his sister-in-law Leslie (Lisa Kudrow) at wit's end juggling her household of hellions and an unstable corporate job, Salman takes on childcare duties with his usual aplomb — leaving her sulking kids to crash in a den carpeted with breakfast cereal. In desperation, Leslie sets up Salman with the mother of all crappy temp gigs — and soon he's passing out flyers in the sweltering costume of her company's mascot, a foam-rubber stick figure with a bulbous blue head. The movie's absurdist yuks and Chaplinesque sentiment don't always mesh with the realistic agony of wage slavery and suburban turmoil. But the ingeniously designed suit (kudos to Geppetto Studios) offers plentiful possibilities for humor both high and low, and Prendergast takes advantage of every unfortunate hand portal, restricted movement, and disastrous bathroom break. At the same time — thanks mostly to Kudrow's stunning performance — the Austin-shot movie catches the nation's mood of economic anxiety and workplace exploitation more pungently than anything else in theaters.