Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

The British Are Coming!

Share

  • rss

By Michael Fox

Published on February 25, 2009 at 4:26am

High-toned accents prevailed yet again at the Oscars, as Brits Danny Boyle and Kate Winslet and Aussie Heath Ledger stole the spotlight. (So says our crystal ball; we went to press right before the telecast.) It’s curious that for all the great actors and movies that have come out of the U.K., no one has thought to present an annual program of new flicks. Until now. Plugging a heretofore-unseen gap in our chock-a-block film calendar, the Mostly British Film Series makes an ambitious and far-reaching debut, with a dozen Bay Area premieres (plus two oldies but goodies) packed into eight days. Today’s fulsome threesome leads off with Stone of Destiny, a family-friendly tale of Scottish pride set in the 1950s that showcases Robert Carlyle and Brenda Fricker’s softer sides. French provocateur François Ozon directed Angel, a pre-World War I melodrama inspired by the life of the questionably talented yet very successful romance novelist Marie Corelli. And Not Quite Hollywood is an exuberant, sexy survey of the wide-open ’70s and ’80s in Aussie cinema, when liberation and exploitation went hand-in-hand; it lassoed the best documentary trophy from the Australian Film Institute. While you’re celebrating the vitality of the British, Irish, and Australian cinemas, the series organizers hope you’ll also fall in love all over again with the allure of single-screen neighborhood theaters.
Feb. 26-March 5, 2009