Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of San Francisco's most popular hot spots.
user content provided by: LikeMe.net & SF Weekly

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

The Paper Route

Share

  • rss

By Dan Strachota

Published on April 21, 2009 at 10:46am

Over the past decade, Jason Quever has proven adept at spinning gorgeously murky pop with his Papercuts ensemble. His fourth disc, You Can Have What You Want, is no different, in that it probably shouldn't be ingested around heavy machinery. The best songs tinker with his formula of dreamy organ parts, soaring vocals, and brushed drums. "Dictator's Lament" is downright jaunty, with lyrics that engender pity for an heirless ruler, while "Future Primitive" sports a stomping beat and a spindly guitar riff, suggesting an interest in Phil Spector's music. Most impressively, "The Wolf" resurrects the angst written into horror classics like Frankenstein.