Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Pretty, Tough

Share

  • rss

By Hiya Swanhuyser

Published on May 01, 2009 at 4:21am

A delicate femininity pervades Alela Diane's songs. But unlike her forebears in the 1960s folk revival — Judy Collins, Joan Baez, or Vashti Bunyan, for whom she's opened — her voice has a solid, post-punk, no-BS sound. We have nothing against those ethereal veteran songbirds, but Diane's original songs and interpretations, with their earthy themes and soulful guitar, make us think more of down-to-earth California singer-songwriter Kate Wolf. To Be Still is Diane's second record, now out on Rough Trade; Pitchfork loves it with an 8.0. Tonight's show is a hootenanny of childhood friends from the famous musical breeding ground of Grass Valley, as fellow warbler Mariee Sioux opens.
Mon., May 11, 9:30 p.m., 2009