Speaking of expectations: Back in Los Angeles, chatting with a couple of indie filmmakers, I wondered whether the significance of the reportedly healthier Toronto sales climate had been overblown. On the contrary, I was told the market activity at TIFF, in fact, had created a temporary, lucrative window of energy. Suddenly, financiers were eager to make deals, fast. Is this a sign of real turnaround, or is this chaos theory? A butterfly flaps its wings in Hong Kong and it rains in Bermuda; a few companies drop a few million dollars on a handful of films in Toronto, and a writer-director in Los Angeles gets financing to make a movie? Like so much having to do with TIFF, it depends on how you choose to see it.

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Box Office

  1. Star Trek Into Darkness, 70.2 mil, 83.7 mil
  2. Iron Man 3, 35.8 mil, 337.7 mil
  3. The Great Gatsby, 23.9 mil, 90.7 mil
  4. Pain & Gain, 3.2 mil, 46.7 mil
  5. The Croods, 3.0 mil, 177.0 mil
  6. 42, 2.8 mil, 88.8 mil
  7. Oblivion, 2.3 mil, 85.6 mil
  8. Mud, 2.2 mil, 11.7 mil
  9. Peeples, 2.2 mil, 7.9 mil
  10. The Big Wedding, 1.2 mil, 20.3 mil
Movie Title, Weekly Earnings, Total Earnings
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