Email Author Lily Janiak
Shahid Nadeem, a three-time prisoner of conscience in Pakistan for his prominent work as an activist and dramatist, when asked about performing... More >>
Many theater companies say that making "provocative" art is part of their mission. The Thrillpeddlers is one such company – depending on... More >>
Scott Baker knows how actors pigeonhole the work of Samuel Beckett. “They see these serious situations and the elevated language,” he... More >>
Sheherezade 13, a coproduction by Wily West Productions and Playwrights' Center of San Francisco, didn't start as a women-centered event. It... More >>
Michelle Jasso used to perform opera in the traditional, grand way, but then, she says, “I got bored.” The way performers simply stand... More >>
The nine characters in Sheetal Gandhi’s Bahu-Beti-Biwi (“Daughter-in-law, Daughter, Wife”), a solo show that... More >>
Playwright, director, and actor Ian Walker doesn’t make theater that only makes the audience think. “You go to theater,” he... More >>
Based on the true story of Ming Kuang Chen, an illegal Chinese immigrant who was stuck in an elevator in the Bronx for nearly 81 hours in 2005,... More >>
Reasons to Be Pretty, which opens this weekend at San Francisco Playhouse, is written by a man and follows a male character, yet its... More >>
Impact Theatre Artistic Director Melissa Hillman is all about making the Bard into one of the bros. Shakespeare didn't write just for the... More >>
The 12-year-old Ray of Light Theatre, which produces a couple of musicals every summer, had been talking, for 10 of those years, about creating a... More >>
For its last two shows, the devised theater ensemble Mugwumpin took theater out of theaters and into a park, a hotel room, and the Old Mint... More >>
In Lynne Kaufman's first play, The Couch, a man cheats on his wife, and she tolerates it -- and not just because that man is Carl Jung. For... More >>
Annie Danger isn't officially running for Pope, at least not yet, but the performing artist might win a sizable share of the electorate... More >>
More Bigger (Masses) begins with the classic absurdist scenario of someone stuck in a situation beyond his control: The character... More >>
In the Magic Theatre's "rolling world premiere" production of Se Llama Cristina, written by Octavio Solis and directed by Loretta Greco,... More >>
If you don't know the trope behind the title of Manic Pixie Dream Girl, a world premiere by Katie May now at the Costume Shop, the play... More >>
When I sat down to interview playwright Morgan Bassichis about the premiere of his play The Witch House at The Garage, he had a question... More >>
African-American Shakespeare Company’s production of Cat on a Hot Tin Roof excises neither “redneck” nor the... More >>
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