Bring the Beat Back Meat Beat Manifesto's Jack Dangers is among the special guest performers at a celebration of breakbeats and a record release party for Tino's Breaks, featuring mysterious mixmaster Tino — heard by many, but seen by few. In the new Tino video, produced by Ben Stokes of the multimedia company H-Gun, the “star without a face” appears as G.I. Joe, so that won't really answer anyone's questions. But by the time the show is in full swing — with Bo Square DJ Mike Powell on turntables and an electronica-techno-hip-hop jam featuring Dangers and other guest musicians, some of whom may also hail from Meat Beat Manifesto — guests will probably have divined Tino's true identity. Until then … the show starts at 9 p.m. at Cafe Du Nord, 2170 Market (at Sanchez), S.F. Admission is $5; call 861-5016.
Hits Parade “Touch Me I'm Sick” is the Seattle sound that never quite reached arenas, even though Mudhoney, the 10-year-old band that wrote that most blistering of post-punk anthems, had a hand in nearly every project that exploded the city's music scene. That was singer Mark Arm snarling “Everybody loves us/ Everybody's gettin' kinda old” for the soundtrack to Singles, in which the group good-naturedly let itself be parodied as Citizen Dick, a grunge band led by Matt Dillon (the ignominy!). That was Mudhoney rocking with the crackling amps in Seattle music documentary Hype! while San Diego transplant Eddie Vedder whined about out-of-towners ruining his local scene. Those were Mudhoney members scattered through bands that didn't quite make commercial radio, despite loyal followings: the Fastbacks, Monkeywrench, the Screaming Trees, Thee Headcoats. A decade after their first album yielded the dirgy ballad “When Tomorrow Hits,” Mudhoney has released Tomorrow Hit Today, with Replacements producer Jim Dickinson at the controls. Though it's not as raw as previous efforts, Arm's unholy howl echoes through “Poisoned Water,” and the band's self-effacing sarcasm emerges in the slide guitar-driven barroom blues of “Try to Be Kind.” Kent 3, followed by the Urinals, open the show at 8 p.m. at Bimbo's 365 Club, 1025 Columbus (at Chestnut), S.F. Admission is $12; call 474-0365.
Wings of Desire French choreographer Anjelin Preljocaj approaches the meeting between the Virgin Mary and the angel Gabriel with one simple but significant question: What if Mary didn't want to be the mother of God? Instead of serene acceptance, as typically rendered in classic art, what if she were terrified? With Annonciation, Preljocaj repaints the scene with the angel as a seductive authority figure who leans into the frightened virgin, then spirits her away to an overwhelming destiny, set against the awful rattling crunch of heavy machinery. When Ballet Preljocaj makes its long-awaited local stop, Preljocaj offers his take on two ballet classics as well: Fokine's Le Spectre de la Rose and the Nijinska/Stravinsky piece Les Noces, retitled Noces. The original Spectre portrays a girl's dream of a rose that transforms into a handsome stranger, but where most danseurs waltz the girl around her bedroom after magically hovering outside her window, this revision finds the specter of fear lingering over the characters' fiercely physical interaction. Danger also creeps into Noces, as the original Eastern European bridal suite of dances (staged by Nijinska revivalists like Oakland Ballet) is transformed into a dark comment on wedding tradition with a series of breathtaking, often violent duets (flying leaps off benches, roughneck partnering) between men, women, and rag dolls in wedding gowns. The show starts at 8 p.m. (also 8 p.m. Friday, 2 and 8 p.m. Saturday) at Yerba Buena Center for the Arts Theater, 700 Howard (at Third Street), S.F. Admission is $18-28; call 392-4400.
Doin' It for the Kids Who are El Destroyo? Proud wearers of Japanese schoolboy outfits and purveyors of the Jonathan Richman/Leonard Cohen/Elvis Costello pop tradition, as legend has it. They're also 4 Non-Blondes guitarist Roger Rocha, Sister Double Happiness guitarist Ben Cohen, and Plastic Ono Band drummer Shig-33, among others. They'll replace a temporarily sidelined Jello Biafra in the headlining slot at a benefit for the Haight Ashbury Free Clinics Youth Outreach Program, where they will join forces with the Lawn Vultures and Princess Special (featuring the raging women of Bimbo Toolshed and Stone Fox). Audience members can win skateboards and CDs in a raffle at the show, which begins at 9 p.m. at Bottom of the Hill, 1233 17th St. (at Texas), S.F. Admission is $8; call 621-4455.
Focus on the Family We've all complained about our crazy kinfolk, but the average family will seem sane compared to the units in Titanic, staged by In the Fridge … Productions, and Raised in Captivity, staged by the ACT Master of Fine Arts Program. The former isn't James “I'm King of the World” Cameron's Titanic or The Chambermaid on the Titanic: It's a farce by Christopher Durang, who specializes in satiric lunacy, as his comedy of neuroses Beyond Therapy proves. This ship plays host to bad parents, adulterous affairs, the ghost of Nietzsche, and kids who keep hedgehogs in unlikely places. It opens at 8 p.m. (and runs through Oct. 18) at the Next Stage, 1668 Bush (at Gough), S.F. Admission is $12-15; call 641-5247. Nicky Silver's Raised in Captivity, meanwhile, is an absurdist tragicomedy about estranged twins Sebastian and Bernadette Bliss, whose reunion at a funeral sparks a confrontation among Sebastian's unbalanced analyst, Bernadette's teeth-phobic dentist husband, Sebastian's convicted felon pen pal, and the ghost of their abusive mother. It previews at 8:30 p.m. (and runs through Oct. 17) at the Magic Theater, Building D, Fort Mason, Marina & Buchanan, S.F. Admission is $8-10; call 749-2ACT.
Steppin' Out Anticipation rules the third annual Lesbian & Gay Dance Festival, the only fest of its kind in the United States. Its final program (Oct. 16-18) spotlights commissioned work, including former Merce Cunningham designer Remy Charlip's Arm in Arm, Jesselito Bie's sendup of circuit party culture Barebacking, and Jose Navarrate's Essay on Tangos. Not that the rest of the three-week festival doesn't hold promise: It opens with a gala featuring the Joe Goode Performance Group and ODC dancers Brian Fisher and Kevin Ware in First Contact, and offers mixed and women's programs from some of contemporary dance's brighter lights as it goes. The gala begins at 8 p.m. (the LGDF continues through Oct. 18) at Dance Mission Theater, 3316 24th St. (at Mission), S.F. Admission is $12-16; call 522-8793 for a complete schedule.
Handle With Care To the heartbreaking history of Nazi-era Germany add the “Kindertransport,” a program through which wealthy Jewish-German families bought exit visas from the Nazi party and smuggled their children out of Eastern Europe on trains bound for England. Their idea was to rejoin their children later, but many parents must have known that they might never see their kids again when they made the agonizing decision to send the youth to safety. British playwright Diane Samuels' drama Kindertransport, directed locally by Andrea Gordon and produced by the “Anne Frank and the World Today” exhibit, is based on the real stories of Kindertransport kids, who numbered in the thousands. Some were put to work on kibbutzim, others wound up in orphanages or foster homes, and many went on to suffer from chronic depression. Samuels' fictional protagonist, Eva Schlesinger, begins her journey as a frightened 9-year-old about to board the train, and grows into an assimilated, middle-aged Englishwoman whose past comes back to haunt her when her daughter uncovers a box of wartime photos and letters and demands the truth. The show opens at 8 p.m. (and runs through Oct. 18) at the Norse Auditorium, 275 Hayes (at Van Ness), S.F. Admission is $15; call 586-9949.
Watery Grave There's little to be done with a drunken sailor, but sailors and fishermen who've died at sea will get their due at the Italian Heritage (Columbus) Day Celebrations, which begin with La Madonna del Lume Memorial Mass and continue with a memorial at sea and candlelight procession. On Sunday, a Madonna del Lume High Mass at Saints Peter and Paul Church (666 Filbert at Columbus) is followed by a parade, a blessing of the fishing boats, and a family dinner. Pray for the dead and pass the snapper. The mass today begins at 10 a.m. at the Fishermen's and Seamen's Memorial Chapel, Pier 45, Fisherman's Wharf, S.F. Admission is free; call 989-2220 for a complete schedule of events.
Book Smart Today the written word becomes the spoken, danced, and acted word at three different literary happenings: Poets Diane di Prima, Lawrence Ferlinghetti, Robert Hass, Elizabeth Woody, and scores more read at the Watershed Environmental Poetry Festival, which also offers eco-speakers and activities and begins at 10:30 a.m. in Martin Luther King Jr. Park, MLK & Center, Berkeley. Admission is free; call (510) 525-5476. Nigeria's Semeson Communication Center joins Natica Angilly's Poetic Dance Theater Company, Tuju Taksu Mask Dance Theater Company, and an international corps of moving wordsmiths at the Dancing Poetry Festival, which begins at noon at the Legion of Honor, 34th Avenue & Clement, S.F. Admission is $4-15; call (510) 235-0361. And at Cirque de Soiree, a benefit for Small Press Traffic, an all-poets cast performs Kevin Killian's play The House of Forks. Diane Middlebrook (Suits Me: The Double Life of Billy Tipton) is among the writers paying a visit, and an auction features writings and memorabilia from the likes of Gertrude Stein, Ray Bradbury, and others. The benefit begins at 4 p.m. at the New College Cultural Center, 766 Valencia (at 19th Street), S.F. Admission is $10-and-up donations; call 437-3454.
Songs in the Key of Life Those disciplined kids who persevered through white-knuckle recitals will get just as much out of How Do You Get to Carnegie Hall? as all those other kids who never learned more than “Chopsticks.” Recognizing the huge role piano lessons have played in America's cultural consciousness, composer Brenda Hutchinson drove a U-Haul truck with a piano in the back 6,300 miles across the country, from New York City to San Francisco, stopping along the way to query people about their musical experiences and encouraging them to play her piano. The resulting composition will be performed live by trained pianist/composer Chris Brown and 13-year-old piano student Erica Brown, interspersed with taped music, stories, and anecdotes from Hutchinson's trip. The show starts at 2 p.m. at the Exploratorium, 3601 Lyon (at Bay), S.F. Admission is free-$9; call 563-7337.
If the Spirit Moves You One's relationship to evil, God, and the rest of the world is among the spiritual themes governing “For the Greater Glory of God,” a multimedia performance by professional touring company the Boston Liturgical Dance Ensemble. Like whirling dervishes, the ensemble approaches dance as a kind of prayer, adding devotional music and classical stories like the Prodigal Son to invite viewers to meditate on the themes, which were taken from the writings of St. Ignatius of Loyola and condensed from a 30-day cycle of exercises into an evening-length piece. It's presented at 4 and 7 p.m. at St. Ignatius Church, Fulton & Parker, USF campus. Admission is free; call 422-4463.
Woman's Day Dorothea Lange made her name behind the camera, documenting the lean, grim years of the Dust Bowl and the Depression and the cultural upheaval of Japanese internment in stark but moving black-and-white portraits. In local filmmaker Meg Partridge's documentary Dorothea Lange: A Visual Life, Lange appears in front of the camera as she, her sons, and her assistants talk about her work, which Partridge also showcases in the film. The hard work of other women informs These Hands, Flora M'mbugu-Schelling's documentary, in which injured fingers, meals, and roughhousing children punctuate the days of Mozambican women who break rocks in a quarry. The double feature screens at 8 p.m. as part of the “Outdoor Cinema” series at El Rio, 3158 Mission (at Precita), S.F. Admission is $5; call 282-3325.