Theater

Finding a Measure of Ease, in In Old Age

Only Abasiama (Nancy Moricette) hears the steady booming sound that rises up…

 

You Do Have to Live like a Refugee in The Jungle

Late in the three-hour production of The Jungle (at the Curran through…

 

There’s No Place Like Home

Geoff Sobelle begins his genteel performance art piece Home (at Berkeley Rep…

 

Two Truths and a Lie, in Actually

Amber (Ella Dershowitz) drinks too much the night she meets Tom (Michael…

‘Namaste’ is a Dirty Word, in Yoga Play

When the new CEO of an athleisure wear company asks, “What is…

The Great Leap Trips and Stumbles Forward

Hana Kim’s hypnotizing projection designs provide color, light and motion every time…

The Things She Carried, In Her Portmanteau

The blood running through Iniabasi’s (Eunice Woods) veins has turned to ice.…

Pay Me What You Owe Me in Strindberg’s Creditors

Adolph (Joseph Patrick O’Malley) is the patron saint of second husbands. He’s…

The Lizard Brain Evolves in Edward Albee’s Seascape

When Charlie (James Carpenter) was a boy, he used to swim into…

Changing Faces in King of the Yees

The strongest whiskey, the sweetest oranges, and the loudest firecrackers. If Lauren…