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Reviews

  • "Once Upon a Time in Anatolia"

    By J. Hoberman

    A 157-minute police procedural, Once Upon a Time in Anatolia elevates Turkey's leading filmmaker, Nuri Bilge Ceylan, to a new level of... More >>

  • "Rampart"

    By Karina Longworth

    Directed by Oren Moverman from a script by Moverman and L.A. noir master James Ellroy, Rampart tracks the downward spiral of LAPD cop Dave Brown... More >>

  • "Journey 2: The Mysterious Island"

    By Michael Atkinson

    Its production design inspired by Yes album covers and Candy Land, Journey 2: The Mysterious Island continues the weak Jules Verne —... More >>

  • "Star Wars: Episode 1: The Phantom Menace 3D"

    By Alan Scherstuhl

    Imagine how true believers would feel if Jesus finally came back after all that time — and turned out to be an asshole. That's something... More >>

  • "In Darkness"

    By Michael Atkinson

    Holocaust culture has proven to be essentially infinite — almost 70 years since the end of World War II, and untold stories of decimation... More >>

  • "Safe House"

    By Karina Longworth

    In Safe House, Ryan Reynolds plays Matt Weston, a junior CIA agent assigned to babysit a safe house in Cape Town. He's dying to be transferred to... More >>

  • "Big Miracle"

    By Michael Atkinson

    Starring everyone who wasn't in New Year's Eve—and larded with just as many bromides—Big Miracle is inspired by the true story of the... More >>

  • Arthouse Movie Listings February 8-14, 2012

    By SF Weekly Staff

    Artists' Television Access. City of Lost Souls: A transgender comedy musical made by gay-rights activist Rosa von Praunheim in which Angie... More >>

  • "Domain"

    By Melissa Anderson

    Fearless Béatrice Dalle, who made her screen debut at age 21 as the sexed-up, self-mutilating title character in Betty Blue (1986), has,... More >>

  • "The Innkeepers"

    By Nick Pinkerton

    Horror movies are lately given to gluttonous effects, but director Ti West (The House of the Devil) is a rare minimalist. His latest, The... More >>

  • "Coriolanus"

    By Eric Hynes

    Updating Shakespeare seems doubly condescending: the implication that we need help relating to the text, and that the text needs to be made... More >>

  • “Carol Channing: Larger Than Life”

    By Melissa Anderson

    "There was this creature with huge eyes and an enormous red mouth," recalls Bruce Vilanch on first seeing Carol Channing on TV — an... More >>

  • "Chronicle"

    By Aaron Hillis

    Written by Max "Son of John" Landis, Chronicle playfully transcends its "Cloverfield meets Heroes" pitch. Brimming with passive anger over his... More >>

  • "One for the Money"

    By Melissa Anderson

    One for the Money—not just the title of Katherine Heigl's latest but also the mantra she chants before every movie contract she... More >>

  • Oscar-Nominated Shorts: Sweet, sincere, cloying, beautiful

    By Tim Grierson

    Of the five Academy Award-nominated documentaries, Saving Face and God Is the Bigger Elvis were sadly not made available for critics, but the... More >>

  • More Reviews >>

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From the Print Edition

"Once Upon a Time in Anatolia": Investigating Deaths and Meaning "Once Upon a Time in Anatolia": Investigating Deaths and Meaning
By J. Hoberman

A 157-minute police procedural, Once Upon a Time in Anatolia elevates Turkey's leading filmmaker, Nuri Bilge Ceylan, to a new level of achievement. Like Ceylan's earlier films, it's an impeccably… More >>

"Rampart": Woody Harrelson Is a Bad Cop "Rampart": Woody Harrelson Is a Bad Cop
By Karina Longworth

Directed by Oren Moverman from a script by Moverman and L.A. noir master James Ellroy, Rampart tracks the downward spiral of LAPD cop Dave Brown (Woody Harrelson). The action's set… More >>

"Journey 2: The Mysterious Island": The Rock Saves Soulless Sequel "Journey 2: The Mysterious Island": The Rock Saves Soulless Sequel
By Michael Atkinson

Its production design inspired by Yes album covers and Candy Land, Journey 2: The Mysterious Island continues the weak Jules Verne — inspired adventures of 2008's Journey to the Center… More >>

"Star Wars: Episode 1: The Phantom Menace 3D" Feeds the Lucas Monster "Star Wars: Episode 1: The Phantom Menace 3D" Feeds the Lucas Monster
By Alan Scherstuhl

Imagine how true believers would feel if Jesus finally came back after all that time — and turned out to be an asshole. That's something like the pain suffered by… More >>

"In Darkness": Recognizable Holocaust Story Still Affecting "In Darkness": Recognizable Holocaust Story Still Affecting
By Michael Atkinson

Holocaust culture has proven to be essentially infinite — almost 70 years since the end of World War II, and untold stories of decimation and survival are still hitting the… More >>

"Safe House": Shaky Cinematography Blurs Action "Safe House": Shaky Cinematography Blurs Action
By Karina Longworth

In Safe House, Ryan Reynolds plays Matt Weston, a junior CIA agent assigned to babysit a safe house in Cape Town. He's dying to be transferred to Paris, where his… More >>

"Big Miracle": Saving the Whales Doesn't Save Any Laughs "Big Miracle": Saving the Whales Doesn't Save Any Laughs
By Michael Atkinson

Starring everyone who wasn't in New Year's Eve—and larded with just as many bromides—Big Miracle is inspired by the true story of the end-of-the-Cold War effort to free three gray… More >>

Arthouse Movie Listings February 8-14, 2012
By SF Weekly Staff

Artists' Television Access. City of Lost Souls: A transgender comedy musical made by gay-rights activist Rosa von Praunheim in which Angie Stardust runs a boarding house for misfits. Part of… More >>

"Domain": Dependence Overshadows Charm "Domain": Dependence Overshadows Charm
By Melissa Anderson

Fearless Béatrice Dalle, who made her screen debut at age 21 as the sexed-up, self-mutilating title character in Betty Blue (1986), has, in the past decade, played a cannibal, the… More >>

"The Innkeepers": A Simple Approach to Supernatural Terror "The Innkeepers": A Simple Approach to Supernatural Terror
By Nick Pinkerton

Horror movies are lately given to gluttonous effects, but director Ti West (The House of the Devil) is a rare minimalist. His latest, The Innkeepers, takes place almost entirely on… More >>

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