The phrase "Emily Dickinson musical" evokes troubling images of the Moth of Amherst doing jazz hands. I have nothing against jazz hands, mind you. It's just that Dickinson's life story seems ill-suited for any stage adaptation, let alone the song-and-dance treatment. Let's review: She valued reticence and solitude, she had a bit of a morbid streak, and she spent the better part of her adult life communicating almost entirely through written correspondence.... More >>>