Barry Levinson

'Bee' Embarasses Jerry Seinfeld

The Big Valley

Repertory Film Listings

Voter Fraud

Barry Levinson wags the dog again, but his bark is worse than his bite

Repertory Film Listings

Barry Levinson wags the dog again, but his bark is worse than his bite

How Big?

Marga's family album

Splish Splash Thud

Kevin Spacey honors a man who did it all, and somehow nothing much happens

Stander Delivers

Thomas Jane, as folk hero, robs banks and steals a movie

Reps Etc.

Thomas Jane, as folk hero, robs banks and steals a movie

The Dreamlife of Angels

The year ahead in local film

Reps Etc.

The year ahead in local film

Feel His Pain

Billy Bob has a simple plan: to sing about life and lovin' his wife

Reel World

Sidewalk Stories; High Art

A Quality Year

After years of creative drought, inspiration was again in long supply

Baltimore Bugaloo

Liberty Heights

We Used to Be in Pictures

San Francisco's once-hot film industry is in a slump; will it come back?

Retouching Evil

Using detailed instructions from Orson Welles, film editor and sound designer Walter Murch has remade "the best B-movie ever" -- Welles' Touch of Evil

Zoom Lens

Using detailed instructions from Orson Welles, film editor and sound designer Walter Murch has remade "the best B-movie ever" -- Welles' Touch of Evil

Beat the Press

Using detailed instructions from Orson Welles, film editor and sound designer Walter Murch has remade "the best B-movie ever" -- Welles' Touch of Evil

Kooky Proles and Gucci Buddhism

A neo-noir, an Ur-neo-noir, and a black political satire color a pallid year of retreads, bogus events, and charity cases.

Films for a Tired and Cynical Age

A neo-noir, an Ur-neo-noir, and a black political satire color a pallid year of retreads, bogus events, and charity cases.

The Albanian Candidate

A neo-noir, an Ur-neo-noir, and a black political satire color a pallid year of retreads, bogus events, and charity cases.

Building the Perfect Beast

As the movie industry contemplates a new age of computer-generated features, Berkeley's Phil Tippett fights to keep the art of special effects honest, messy, and true

For Love and Money

As the movie industry contemplates a new age of computer-generated features, Berkeley's Phil Tippett fights to keep the art of special effects honest, messy, and true

Tribute

As the movie industry contemplates a new age of computer-generated features, Berkeley's Phil Tippett fights to keep the art of special effects honest, messy, and true

The House of Tudor

As the movie industry contemplates a new age of computer-generated features, Berkeley's Phil Tippett fights to keep the art of special effects honest, messy, and true