Roots and Grooves (Heads Up International)
Sadly, the city's most prestigious theater company disappoints again
Under a Brooklyn Moon
Tenor saxophonist Mitch Marcus starts with the concept of the big band, then goes further
Tuttle's magical minimalism
James Robinson used to be a pimp. Now he's a transit union bigwig. And he's got higher ambitions.
For over two decades, Lisle Ellis has been expanding the vocabulary of the jazz bassist by adding blues and classical features
Saxophonist Joe Lovano's tribute to 52nd Street swing and bop.
Thirty years later, Harry Belafonte finds closure in a once-lost project
Performances at Thick House
Orixa's rock en español is a stew of global ideas. Just don't call it Latin music.
After three decades of feeding the homeless, the only church devoted to John Coltrane now finds itself without a home
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