Joseph Gordon-Levitt awes again in this character-driven theft thriller
Clive Owen gets pushed to his limits, right along with the audience
It'd Be Cool if this sequel were any good. Too bad it ain't.
Kill Bill's missing something -- like, oh, a proper ending
A printmaking exhibition tells short, sharp stories
Michael Sragow finds eight good films, and countless condescending duds, in a year at the movies
Dark Rapture explores language without involving us dramatically; Slavs! eavesdrops on a nation involved in a deeply searching dialogue