Kate Edmunds

  • Culture

    August 29, 2007

    I Think, Ergo I Laugh

    Triumph bombed when it premiered in 1732, but this bonkers love story has aged well

  • Culture

    February 2, 2005


    Our critics weigh in on local theater

  • Culture

    January 26, 2005


    Our critics weigh in on local theater

  • Culture

    January 19, 2005

    Rhyme and Punishment

    A boisterous play in verse nearly lures our critic into poetic excess

  • Culture

    September 1, 2004

    Fooling the Audience

    A light, elegant, and appropriately deceitful Earnest

  • Culture

    December 17, 2003

    All in the Family

    A provocatively sensual, emotional play about three women in love with the same man

  • Culture

    October 1, 2003

    Delicious Wickedness

    Special effects aren't necessary to make Les Liaisons Dangereuses current

  • Culture

    May 1, 2002

    Angels in Afghanistan

    A controversial, uneven, and eerily timely production at the Berkeley Rep

  • Culture

    April 14, 1999
  • Culture

    September 18, 1996
  • Culture

    April 17, 1996

    Picks and Pits

    ACT's Cherry Orchard serves up a feast of characters and images; An Inspector Calls is merely a visual feast

  • Culture

    March 13, 1996


    Dark Rapture explores language without involving us dramatically; Slavs! eavesdrops on a nation involved in a deeply searching dialogue

  • Culture

    March 6, 1996

    Combat! Zone

    Though impressively entertaining, John Fisher's latest work often battles its own polemics

  • Culture

    January 31, 1996


    ACT's The Tempest is tossed by the storm of its spectacular impulses

  • Culture

    October 25, 1995

    Power Stirring

    ACT's Arcadia enthralls with Tom Stoppard's love of mystery, language, and intellectual puzzles

  • News

    July 26, 1995

    Carey Nation

    As ACT returns to its home at the restored Geary, Artistic Director Carey Perloff stages a coup de theatre for her fourth season

  • Culture

    May 10, 1995

    Bloodless Revenge

    ACT's star-driven Hecuba is balanced, admirable -- and oddly uninvolving

  • Culture

    May 3, 1995

    Mixed Messages

    The Medium lacks a dramatic raison d'étre; Angels remains thrilling theate

  • Culture

    April 26, 1995

    Moor's Code

    Two versions of Othello point up the drama's difficulties

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