As Daniel Day-Lewis' fourth film in a decade arrives in theaters, the movies' most enigmatic leading man reveals the method behind his onscreen madness
As the movie industry contemplates a new age of computer-generated features, Berkeley's Phil Tippett fights to keep the art of special effects honest, messy, and true
Sony PicturesFlipping for Julia: Streep as the French food maven at the Cordon Bleu in Paris.I was thrilled when I arrived at the Century last Friday, opening day of Julia & Julia, to see a long line outside the theater. San Francisco foodies, represent! Except when I found out they were waiting for G.I. Joe: The Rise of Cobra. I meekly took my ticket and walked in.
My excitement wasn't just generalized food-film lust. Sure, I like writer-director Nora Ephron and Julie Powell, whose boo
via BoingBoing​Bike saddles almost too nice to sit on. [BoingBoing] Senator Barbara Boxer has a piggy bank worth $6.3 million cash. [SFGate] Frank Chu hits up the Sanctuary City meeting. He. Is. Everywhere. [Sweet Melissa] Holy crap. They're remaking Red Dawn!!! [Burrito Justice] Ride along in an SFFD ambulance. And flip the bird. [Fecal Face]In which Playboy assesses the quality of our tequila peddling establishments. [Grubstreet]Want to watch Meryl Streep sing bad ABBA covers? OUTDOORS? [Ber
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