Doubt wags the finger of moral relativism.
Catherine Deneuve on her new film, A Christmas Tale, and her long, glorious noncareer.
Once grand, The Women is now just another chick flick.
As Daniel Day-Lewis' fourth film in a decade arrives in theaters, the movies' most enigmatic leading man reveals the method behind his onscreen madness
Boy turns bug in redemptive kiddie-lit adaptation
Garrison Keillor's Prairie makes a fine pasture for Altman
Uma as an old lady? Yeah, sure, why not.
As the movie industry contemplates a new age of computer-generated features, Berkeley's Phil Tippett fights to keep the art of special effects honest, messy, and true
How Curtis Hanson brought James Ellroy's epic crime novel L.A. Confidential to the screen
Faithful undercuts its black comedy with too much sentimentality