Our critics weigh in on local theater
Bill English pilfers from Sam Mendes, with mixed results.
Chick-flick genre to Evening: Why you gotta make us look bad?
The White Countess writes an inglorious final chapter for a dynamic filmmaking duo
The lunatics have taken over the Asylum, and they're very horny
Eugene O'Neill's emotionally powerful drama lacks its misbegotten heroine
Cal Shakes uses an appropriately light touch with Chekhov's "comedy"
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