Waylon Jennings

Stagecoach 2008: Friday dispatch photos

Willie Nelson: The Herbal Hillbilly Sinatra

Hardly Strictly's outlaws hold a S.F. roundtable

Cat Power Under the Covers: A Listening Party with Jukebox Muses

The Court & Spark's M.C. Taylor re-emerges as Hiss Golden Messenger

White Trash

There's nothing good about this remake of an awful ol' show

What Was That?

Experimental-music lovers roll out the welcome Matmos

Love Stinks

A warm, fuzzy roundup of depressing anti-Valentine's Day anthems

Songs of Freedom

Perhaps the candidates running in the 2004 election could use some help selecting their campaign music

Cash on Demand

We still mourn the Man in Black

Best Jukebox

The Ha-Ra

Punch-Drunk Love

The Run For Cover Lovers walk the thin line between love and hate

SF Weekly Music Awards 2002

A galaxy-spanning journey through space and sound!

The Flatlanders

Now Again (New West)

End of the Road

Thirty years later, Harry Belafonte finds closure in a once-lost project

Hear This

The Giblet Dribblers

The House of Tudor

The Giblet Dribblers

Reviews

The Giblet Dribblers

Country Candor

The Giblet Dribblers

Recordings

The Giblet Dribblers

Boys Will Be Boys

The Giblet Dribblers

White Trash Nation

The stereotype may be racist and classist, but that hasn't kept a generation from embracing the white trash aesthetic -- a disposable culture populated by trailer parks; junk cars; big hair and gaudy makeup; loud, angry music; and empty beer cans -- and i

Good Folks

The stereotype may be racist and classist, but that hasn't kept a generation from embracing the white trash aesthetic -- a disposable culture populated by trailer parks; junk cars; big hair and gaudy makeup; loud, angry music; and empty beer cans -- and i

Country music, faded stardom, liquor, and age in Crazy Heart

The stereotype may be racist and classist, but that hasn't kept a generation from embracing the white trash aesthetic -- a disposable culture populated by trailer parks; junk cars; big hair and gaudy makeup; loud, angry music; and empty beer cans -- and i

Crazy Heart

The stereotype may be racist and classist, but that hasn't kept a generation from embracing the white trash aesthetic -- a disposable culture populated by trailer parks; junk cars; big hair and gaudy makeup; loud, angry music; and empty beer cans -- and i

Storms Never Last

The stereotype may be racist and classist, but that hasn't kept a generation from embracing the white trash aesthetic -- a disposable culture populated by trailer parks; junk cars; big hair and gaudy makeup; loud, angry music; and empty beer cans -- and i

Crazy Heart

The stereotype may be racist and classist, but that hasn't kept a generation from embracing the white trash aesthetic -- a disposable culture populated by trailer parks; junk cars; big hair and gaudy makeup; loud, angry music; and empty beer cans -- and i

Don't Fear the Dark

Bouncer finds friends in Pittsburgh's Pub

Texas Vs. San Francisco: the World Series of Music

The World Series is about much more than baseball. It's a clash of two cities, two regional cultures, two rabid groups of fans, two color schemes, two outlooks on drug policy, and much more. (We ain't even gonna go into politics.)Starting right now, we're also making the World Series about music. To ... More >>

Eric Church's Front Porch Breakbeats: Nashville at Last Fully Integrates Hip Hop

"Dig my beats, but pull your pants up."​Eric Church is the first country star to fully incorporate hip hop into country hits. He's not the first to incorporate it, of course. "Honky Tonk Badonkadonk," "Save a Horse, Ride a Cowboy," and "Stuck Like Glue" -- that glitterbomb Sugarland single wit ... More >>