Hou Hsiao-hsien and his red balloon watch over a lonely mother and son in this soaring Flight.
Wong Kar-Wai's first English-language foray is a minor confection.
Asia Argento predictably hijacks Boarding Gate, a flight that's otherwise a bumpy ride.
Art imitates life as U.S. directors command this year's fest, with only China rivaling for celluloid domination.
A hero of the Hong Kong new wave returns the compliment
The DJ who works out of S.F. has crafted both exquisite beats and a carefully cultivated mystique. Find out from him why the lush trip hop is being replaced by a local hyphy sound.
China's most expensive film looks lovely but feels empty
Wong Kar Wai delivers a sequel that far outpaces the original
Three great directors serve up a sampler of love and desire
A romantic drama made in 1991 shows a Chinese director at his finest
See the best of Bollywood in "Cinema of the Indian Diaspora," part of the Asian American Film Fest
Focus in on digital filmmaking at this year's ResFest
In Time and Tide, Tsui Hark delivers a plotless wonder
Hong Kong's art house and Hollywood's studio system don't mesh too well -- yet
San Francisco International Asian American Film Festival
With Crouching Tiger, Hidden Dragon, Ang Lee reinvents the martial arts movie for the art house crowd
Hong Kong's Wong Kar-Wai talks about gay love, straight actors, and his moody new film Happy Together
Anxious young artists turn the camera on themselves in the 13th annual S.F. International Asian American Film Festival
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