When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Mozzeria, newcomers to the Outside Lands lineup, will bring their 25-foot trolley, a restored mobile San Francisco cable car with a wood-fired oven, to Bluxome Street Winery for a Pinot, Pizza and Funk party. Local funk favorite Tortoise and the Pimps will perform while guests enjoy a special menu of Neapolitan pizzas and wine pairings! A ticket includes entry, one personal pizza and two glasses of wine; tickets are $40 per person. Limited tickets will be available at the door for $45.More
We've all had that day: the one where you accidentally hit "Reply All" on an email intended for one or get rear-ended as you're backing out of the veterinary clinic where you've just spent your life savings to find out that the results on your cat's blood work are "inconclusive."
Martin Provosts lyrical but bracing portrait of the early-20th-century French painter Séraphine Louis begins and ends with a quietly ecstatic shot of the artist nestling up to the rustling leaves of a majestic tree. In Provosts vision, the dirt-poor country housekeepers elemental flower paintings, derided by her bourgeois neighbors, are powered by her love of nature, the direct line she believes she has to the Virgin Mary, and the support of Wilhelm Uhde (Ulrich Tukur), a German collector whose floors Séraphine scrubs with the same fervor she brings to collecting chicken blood to mix her own brand of red paint. If Séraphines untutored primitivism is a romance imposed by the filmmakerin real life, she sat in on art classes for young ladies in Parisits a compelling one that seduced an adoring French public and earned the movie seven Césars, including a well-deserved Best Actress award for Yolande Moreau. The actress brings a potent restraint to this beady-eyed, unkempt, and all but feral outcast who seethes with inner struggle between strength and appalling vulnerability. Séraphines dependence on her patrona cultivated but emotionally detached homosexual, who knew a fellow outsider when he saw one but came and went in her life without warningis almost as unbearably moving as her inevitable unravelingwhen money and fame cut the artist off from her creative wellsprings and drove her over the edge.
July 17-23, 2009