While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
During the 2003 gubernatorial contest, out-of-state media turned Nao Bustamante sister of Lieutenant Governor Cruz Bustamante into a derisive footnote. Taken out of context, how were people in Orlando, Florida, supposed to interpret a performance artist in San Francisco who straps on a burrito-dildo for men to eat on their knees? Orlando is home to Disney World and characters like Mickey Mouse. San Francisco is home to the Lab and characters like Nao Bustamante. For a quarter-century, the Mission arts organization has pushed the edges of nearly every artistic medium, championing courageous experimentation regardless of reputation. PastForward: The 25th Anniversary Performance Series brings together some of its most beloved perpetrators for three weeks of events. Tonights show features Miya Masaoka, founder of the San Francisco Gagaku Society. Masaoka first began combining traditional koto with MIDI controllers in the 1980s. Her work has led her into even more unexpected terrain: At the Lab, she has performed live with Madagascar hissing cockroaches and more than 3,000 honeybees. She has also strapped naked men with EKG and EEG sensors and integrated the sounds of their insides into aural landscapes, and turned philodendrons into musicians. Tomorrow, Bustamante turns her own body into a backdrop for 1940s Dominican starlet Maria Montez, known for her exotic looks and bejeweled costumes. In her piece Silver and Gold, Bustamante offers an exotic jewel of her own.
July 9-18, 8 p.m., 2009