While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
Producer, writer, and activist who produced shows like All in the Family, Sanford and Son, and Maude, is awarded the 2016 Freedom of Expression Award after a screening of the new documentary Norman Lear: Just Another Version of You.More
At the main festival ground on Saturday July 23rd and Sunday July 24th at Fort Mason Center, we welcome many celebrities from Japan, including WORLD ORDER, Silent Siren, Wednesday Campanella, GARNiDELiA, Mitz Mangrove, and many more, and we will also host a variety of events, including J-POP LIVE concerts, Meet & Greet sessions, Q&A with special guests, Interactive Summit, Travel Pavilion, Ramen & Sake Summit, dance, karaoke,cosplay and'J-POP Queen' drag contests.More
In 2013, when Catharine Clark moved her eponymous gallery from 49 Geary to the Potrero Hill area, she gave herself more room to work with, including a dedicated media space that has shown indelible work by such artists as Shalo P ("The Bedroom Suite"), Nina Katchadourian ("In a Room Full of Strangers"), and Andy Diaz Hope and Jon Bernson ("Beautification Machines").
Pickup basketball is a weird social phenomenon where a bunch of strangers meet at a designated spot during a designated time to engage in an athletic competition governed by de facto rules established in some mythic rulebook.
The capital city of Mali is not much like our burg. Besides the obvious (it's in Africa), it's on a river, it's inland, and it's got a famous library. Like San Francisco, though, downtown Bamako is expensive, congested, and sounds irritating to commute through, so ultimately, we have plenty in common. At "Lens on Life: From Bamako to San Francisco," internationally renowned curator Simon Njami culls the work of 22 African photographers who participated in the 2005 Bamako Biennale, a wide-ranging photography exhibition. The show splits time between images of Africa, such as those found in the work of Nigeria's Akinbode Akinbiyi, and international visions of the U.S., like Gabonian Myriam Mihindou's photos of local women. As at the Mali biennale, part of the charm of the event is art being showcased at several venues: The African American Art and Culture Complex, the Women's Building, and City Hall host satellite exhibitions in addition to the main one at the museum.
May 18-Sept. 23, 2007