While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
Producer, writer, and activist who produced shows like All in the Family, Sanford and Son, and Maude, is awarded the 2016 Freedom of Expression Award after a screening of the new documentary Norman Lear: Just Another Version of You.More
At the main festival ground on Saturday July 23rd and Sunday July 24th at Fort Mason Center, we welcome many celebrities from Japan, including WORLD ORDER, Silent Siren, Wednesday Campanella, GARNiDELiA, Mitz Mangrove, and many more, and we will also host a variety of events, including J-POP LIVE concerts, Meet & Greet sessions, Q&A with special guests, Interactive Summit, Travel Pavilion, Ramen & Sake Summit, dance, karaoke,cosplay and'J-POP Queen' drag contests.More
The center of Beauty in Trouble, Czech director Jan Hrebejks trying foray into soapy realism, is the kind of provincial hard-luck lass who shows boob at a funeral and sweetens sauvignon blanc with a dousing of soda pop. Marcela (Ana Geislerová) has crazy sexand thats about itwith her mechanic husband; mired in a circumstantial shitstorm, they struggle to repair the damage that a 2002 flood did to their home. Marcela is forced to move her two children in with her mother and stepfather Risa (Jirí Schmitzer), whose unremitting awfulness overburdens what dramatic momentum there is in the film. With her husband eventually thrown in jail for a desperate act of car theft, Marcela and her kids are subjected to Risas endless harassment; lording it over his grimy little fiefdom, he still turns on the obsequious sleaze whenever his wife is around. Were washed up, but they have a chance, Risa opines when the wealthy man who falls for Marceladespite the fact that her husband stole his caroffers to take her and the kids to his villa in Tuscany. The Velvet Revolution, it seems, left behind some serious chafing; a spiritual selfishness and scheming distrust permeate everyone but the kids and the expat. Unfortunately, Hrebejk settles for unsatisfying allusions to the Czech experience that never break through the thick haze of melodrama to make his case with any conviction.
Nov. 28-Dec. 4, 2008