When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
This year, Disney announced plans to revive the magical, majestical, supercali- fragilistical title character of Mary Poppins. We can’t find too much fault with the choice of Emily Blunt in the starring role, and we are pleased that this won’t be a “reimagining” of P.L. Travers’ original tale. (Travers wrote many more adventures for her English governess, so there’s plenty of material to draw upon.) Still, even if the composers are Hairspray’s Marc Shaiman and Scott Wittman, and they have elicited the support of at least half of the Sherman Brothers who wrote “Supercalifragilisticexpialidocious” and “Chim Chim Cher-ee,” we have a difficult time imagining a movie that can compete in our child brain with the five-time Oscar winner. Granted, Dick Van Dyke’s cockney accent left a lot to be desired, and maybe the movie does take its own sweet time getting started — to say nothing of those interminable penguins — but we’ve done some internal editing, leaving nothing but a sweet aftertaste that, during this month’s “Wine Down with a Movie,” might be accompanied by free tipples of Domaine Chan- don.More
Marilyn Monroes screen persona, defined in The Seven Year Itch and Some Like It Hot, is that of the ditz spilling out of her dress, endearingly unaware of the effect she has on men. That doesnt fit with film noirs conniving femmes fatales, who are certified geniuses at manipulating the slobbering desire of every rube who crosses their path. But Noir City, the eighth annual San Francisco Film Noir Festival, knows and shows Monroe's seamier, seedier side. In John Hustons top-drawer 1950 heist film, The Asphalt Jungle (screening today), she has a small but pivotal role as the mistress of a dishonest older lawyer (Louis Calhern) pushed to desperate measures by her pricey lifestyle. The actress commandeers the spotlight in Henry Hathaways twisty Niagara (also screening today) as a newlywed with a jealous, unstable husband (Joseph Cotten) and an eager lover (Richard Allan). Whats a gal with an extra, unnecessary male to do? Concoct a nasty, violent plan, which does not involve a barrel going over the Falls, but just as predictably goes horribly awry. Lust and Larceny is the theme of this years fest, with every double bill highlighting both mortal sins. Monroe is a special case, though, represented in perpetuity by the firm of Lust & Lust.
Jan. 22-31, 2010