When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
When an Austrian filmmaker who makes no secret of the fact that his grandparents were Nazi sympathizers makes a fact-based movie (nominated by the Academy for best foreign film) about a Jewish forger who survived the concentration camps by printing money for the German war effort, is he a brave boy or a rotten apple falling unpleasantly close to his nation's tarnished tree? Viennese actor Karl Markovics gives a masterful portrayal of Salomon "Sally" Sorowitsch, a shifty-eyed, hatchet-faced criminal Jew, but The Counterfeiters plays like a realist drama whose purpose is to spring Sorowitsch from stereotype and expose him as a flawed man torn between his Darwinian credo (adapt) and a fatherly desire to protect the weak. Writer-director Stefan Ruzowitzky keeps the physical brutality peripheral, in part to underscore the predicament of the counterfeiters, who live in a velvet prison next door to the hell that other inmates suffered. Based on a memoir by Adolf Burger (August Diehl), a Communist inmate who opposed Sorowitsch's collusion and advocated sabotage, the film succumbs to a heroic climax of sorts. But at its best -- and queasiest -- The Counterfeiters asks what counts as moral behavior under fascism, and whether or not one's first duty is to survive.
Mon., March 3, 2008