While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
We were recently surprised to learn that, while print and e-book publishing lan- guishes, audiobooks do better and better with every passing year. (Downloads in 2015 were up 38 percent over 2014.) We like to imagine that it’s the allure of the well-trained dramaturge that makes emotional connections while leaving some- thing to the listener’s imagination — not background noise for long commutes. In such a case, there can be no finer pleasure than a staged reading by longtime favorites Word for Word, a company that has brought countless short stories from page to stage, including “Sonny’s Blues” by James Baldwin, “The Fall River Axe Murders” by Angela Carter, “Berenice” by Edgar Allan Poe, and “The Bunch- grass Edge of the World” by Annie Proulx. During “Off the Page,” devotees help the company massage prose into parts, and sometimes, as was the case with Al- ice Munro’s work, choose the next story for production. Tonight, the actors ap- proach short fiction from Jamie Quatro’s highly lauded IWanttoShowYou More, which explores faith, (in)fidelity, and family along the border between Georgia and Tennessee.More
A storytelling night with Carnie Asada, Profundity, Coco Buttah, Mahlae Balenciaga, Greg der Ananian, and Fauxnique, celebrates Shark Week with accounts of dangerous, deadly, and treacherous creatures.More
Be there when Cara Black discusses her new book: Murder on the Quai. Aimee Leduc is in her first year of college at Paris's preeminent medical school. But Aimee's world is crumbling: her boyfriend is leaving her, her father leaves for Berlin for a mysterious errand and asks Aimee to look after his detective agency. She begins to investigate a murder. A book sale by the Friends of the San Francisco Public Library follows the event.More
Water, water everywhere, but not a drop to drink. Why? Because its thick with sludge. Moving briskly through a stranger-than-fiction, serpentine narrative that is still unfolding, Joe Berlingers remarkable documentary Crude recounts an infuriating litany of South American exploitation, back-room glad-handing, and bureaucratic dead ends that has, among other collateral damages, created a Rhode Island-sized death zone of toxic pollution in the middle of the Ecuadorian Amazon. For nearly 30 years, beginning in the mid-1960s, the former Texaco oil company (acquired by Chevron in 2001) drilled for oil in Ecuador, in and around the ancestral homeland of the indigenous Cofán Indian community. In 1992, Texaco finally lost its government-granted concession and was forced to cede control of its drilling sites to state-owned Petroecaudor. Three years later, Texaco conducted a purported environmental remediation as part of a $40 million settlement with the Ecuadorian government that, in turn, indemnified the company against any further government claims. And yet, today the soil and waters of the area still run black with oil, the Cofán are dying of cancer at an alarming rate, and the buck for this enviro-disaster is being passed between Chevron and Petroecuador faster than a Bobby Hull slapshot. A master of true-crime verité, Berlinger (Brothers Keeper, Paradise Lost) does a superb job of taking us through the twists and turns of the decade-and-a-half, multibillion-dollar class action lawsuit filed by the Cofán against Chevrona legal battle nearly as long as the Amazon itself, and with no discernible end in sight.
Starts: Sept. 25. Daily, 2009