While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
With neighborhood institutions like the 21 Club closing to make way for yuppie cocktail bars, Brown Jug remains an oasis — and one that takes full advantage of the state's operating hours window, 6 a.m. to 2 a.m. daily.
William Gibson is not the first science fiction author to be given the hyperbolic label of prophet -- writing in the mid-1800s, Jules Verne foretold the coming of electric submarines, news broadcasts, solar sails, lunar modules, and video conferencing, which he charmingly called “phonotelephote.” But, for the 13th generation, Gibson was both prescient cartographer -- introducing “the matrix,” net consciousness, and virtual sex -- and lexicographer. Gibson’s Sprawl trilogy gave us a new vocabulary (cyberspace, surfing, jacking in, neural implant); his steampunk Bridge trilogy gave us a dystopic view of late-era capitalism (resulting in village settlements on the Bay Bridge); and his Blue Ant trilogy gave Gibson his first spot on the mainstream bestseller list. Along the way, Gibson has been hired to provide perspective on subjects ranging from the draconian drug-trafficking laws of Singapore to poet Jorge Luis Borges. While Gibson is a stridently reluctant essayist, it’s easy to see from the recently published collection, Distrust That Particular Flavor, why magazines have been so eager for his voice -- he is a keen observer who marvels. And why he accepts. Many of these assignments have inspired stories, which proves speculative fiction is about extrapolation, not soothsaying. As Gibson said in a 2003 interview for The Economist, “The future is already here -- it’s just not evenly distributed.”
Tue., Sept. 4, 2012