When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
Llewelynn Fletcher's immersive sculptures beguile the senses. Sasha Petrenko's site-specific installations and performances strive to capture a dynamic, living planet. Austin Thomas hides heady themes in seemingly austere drawings, photos, and sculptures. She also cobbles together site-specific social spaces which she calls "perches," but which are obviously kick-ass treehouses, minus the trees. These and other artists are contributing super-sized works for "Just Passing Through: Sculptures and Installations" at the University of San Francisco's Rooftop Sculpture Terrace. "Just Passing Through" promises to challenge notions about how we inhabit or pass through space, or at least provide a lovely respite in a busy city.
"Just Passing Through: Sculptures and Installations" is open to the public 9 a.m.-5 p.m. and runs through Dec. 11 at Kalmanovitz Hall, University of San Francisco, 2130 Fulton St., S.F. Free; 422-5178 or usfca.edu. More
Mondays-Fridays, 9 a.m.-5 p.m. Continues through Dec. 11
Weird little marvels are the works of Ron Nagle, the ceramicist whose work has helped prove that a sculptor who works in clay can be a serious presence in the art world. Nagle has been making vessels and intimate-sized sculptures since the 1960s, when he was associated with the norm-busting California ceramics movement and studied with one of its prime forces, fellow abstract-expressionist Peter Voulkos. A species of one, Nagle has continued to create compelling and painstakingly crafted pieces that are elegant yet unsettling. His sculptures contain puckered surfaces, unusual textural juxtapositions, amorphous shapes, and a surreal look. His cups, some of which have been overglazed and repeatedly fired, appear to have come from a tea party on Mars. With diverse influeneces, including ceramicist Ken Price, abstractionist Cy Twombly, still-life painter Giorgio Morandi, and California cool-car culture, Nagle is a distinctive artist and a San Francisco spirit. To learn more, come hear his lecture at the San Francisco Art Institute — his first appearance there since his 1978 Adaline Kent Award exhibition.More
BayTaper.com, an online multimedia documentary featuring live audio recordings, videos, and photography has been tirelessly capturing live jazz and acoustic music in the San Francisco Bay Area since 2005.
We all have them, those pieces of clothing we can't bear to part with. A thrift shop suit from your City Hall wedding. That unspeakable dress from senior prom. An old college rugby t-shirt to go with your bum knee. They might be buried at the back of the closet, but we keep them because of the memories they represent. But what if the clothing in question is a military uniform, and the memories are of war? After coming home from Iraq, Drew Cameron found a way to cope with his experiences there by creating the Combat Paper Project with book artist Drew Matott. The Project's artists invite the public to work with them to deconstruct uniforms and turn them into paper, a process of transformation that memorializes the stories of the original wearers. Southern Exposure is currently set up as a fully functioning paper mill while Combat Paper Project is in residence, and for one weekend only, artist Ehren Tool joins them in the gallery with his pottery wheel for Paper/Cups, the opening reception for the ongoing project. A former Marine and Gulf War vet himself, Tool creates hand-thrown drinking vessels embedded with soldiers on horses, military insignia, and other symbols of aggression which he then freely gives away to encourage further conversation about war. Drop by to see him at work alongside Combat Paper Project or to share your own stories.
Sept. 21-22, 6 p.m., 2012