While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
White-collar criminal Bernie Madoff isn’t a particularly unattractive man. We might put him in a lineup with Joe Biden (he’s our current vice president, by the way), Tim Allen, or Jim Be-lushi. But have you heard who’ll play Madoff — the man who literally made off with billions of dollars through an investment scam — in an upcoming HBO movie? Robert DeNiro! (We’ll say it again:) Robert Freakin’ DeNiro! What does that say about the fairness of life? Work hard, pay your taxes, mow the lawn, keep the cat fed — then some hotshot businessman scam-ster with a bad haircut gets played by DeNiro, while you can’t afford any haircut because you’re getting played by hotshot businessman scamsters. This minor (and somewhat comi-cal) slight mirrors one of the larger issues explored by financial journalist Diana Henriques in her book about Madoff — trust. In fact, it’s in the title: Wizard of Lies: Bernie Madoff and the Death of Trust. Henriques illustrates Madoff’s road from mansion to the big house through scores of interviews (including with Madoff himself) as well as hundreds of court fil-ings and government documents. She describes and interviews some of Madoff’s victims — well-connected philanthropists, retirees, and even members of Madoff’s own family — to ex-pose the personal tragedy he wrought. Henriques also details the scandal’s wreckage, includ-ing suicides, closed charities, failed businesses, and broken families. It starts with the Madoff clan itself: The tip that led to Bernie’s arrest came from his two sons — one of whom later took his own life.
Wed., Dec. 21, 7:30 p.m., 2011