When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Making the less-traditional transition from brick-and-mortar to mobile pop-up, A16 is finally offering its hearty Monday meatballs and signature wood-fired Neapolitan pizzas without the inconvenience of needing to book a table.
Nobody cries, "Stop the presses!" in Andrew Rossi's Page One: Inside the New York Times; no one would dare. There's a palpable fear that it could actually happen. Are we living in the end times? Newspaper ad revenues have collapsed. Dailies are dying all over America. The New York Times could be the last of its breed. What would happen if it, too, expired? Does evolution work? Will the noble brontosaurus give way to HuffPo, Gawker, and all the other scampering little rodents of the Internet? Part vérité, part infomercial, Page One is less about the end of print journalism than the birth of some newfangled cyborgindeed, with its blatantly self-reflexive approach and emphasis on personality, it's part of the process. Where there once was Daniel Ellsberg, now there is Julian Assange . . . and David Carr. Shooting solo over a 14-month period, Rossi found his story at the Times' media desk, focusing on three media reporters: Carr (covering the Tribune bankruptcy and promoting the Times), Tim Arango (eager to change his beat for something less meta), and the former teen blogger Brian Stelter (described by Carr as "a robot assembled in the [Times] basement to come and destroy me"), plus their editor Bruce Headlam. Page One's greatest achievement may be to have turned the Times saga into an ongoing reality show. As the movie ends, we learn that Arango has decamped for Iraq (eventually to become bureau chief) and Stelter has dropped 90 poundswhile blogging about it.
July 1-7, 2011