While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
We were recently surprised to learn that, while print and e-book publishing lan- guishes, audiobooks do better and better with every passing year. (Downloads in 2015 were up 38 percent over 2014.) We like to imagine that it’s the allure of the well-trained dramaturge that makes emotional connections while leaving some- thing to the listener’s imagination — not background noise for long commutes. In such a case, there can be no finer pleasure than a staged reading by longtime favorites Word for Word, a company that has brought countless short stories from page to stage, including “Sonny’s Blues” by James Baldwin, “The Fall River Axe Murders” by Angela Carter, “Berenice” by Edgar Allan Poe, and “The Bunch- grass Edge of the World” by Annie Proulx. During “Off the Page,” devotees help the company massage prose into parts, and sometimes, as was the case with Al- ice Munro’s work, choose the next story for production. Tonight, the actors ap- proach short fiction from Jamie Quatro’s highly lauded IWanttoShowYou More, which explores faith, (in)fidelity, and family along the border between Georgia and Tennessee.More
A storytelling night with Carnie Asada, Profundity, Coco Buttah, Mahlae Balenciaga, Greg der Ananian, and Fauxnique, celebrates Shark Week with accounts of dangerous, deadly, and treacherous creatures.More
Be there when Cara Black discusses her new book: Murder on the Quai. Aimee Leduc is in her first year of college at Paris's preeminent medical school. But Aimee's world is crumbling: her boyfriend is leaving her, her father leaves for Berlin for a mysterious errand and asks Aimee to look after his detective agency. She begins to investigate a murder. A book sale by the Friends of the San Francisco Public Library follows the event.More
We will dispense with the double entendres: Carol Doda, who we lost in November, was a San Francisco hero who will be rightly celebrated and remembered as long as the town she helped create still stands, the torch held aloft along Broadway and kept alight in neon.
San Francisco Film Society held their Film Society Awards Night at Bimbo's on Tuesday, May 7th. Harrison Ford was in attendance accepting the 2013 Peter J. Owens Award. Photographs by Josh Edelson for SF Weekly.
The play moves to the Ashby Stage, 1901 Ashby (at MLK), Berkeley, March 2-12
In order for theater to deliver on its rarely achieved promise of a transcendent live experience that no television show or movie can rival, all the disparate elements of a production must magically fuse together. This doesn't happen often, but Traveling Jewish Theatre is working diligently to discover the formula. In the confident hands of the four-member cast headed by two of TJT's founders, Naomi Newman and Corey Fischer -- both seasoned and talented actors -- three short stories by celebrated Jewish authors Grace Paley and Bernard Malamud are performed exactly as written, with all the "he said"/"she said" third-person narration left intact, the whole thing woven together by the keen eye of director Joel Mullennix. The first, "Mother," features a daughter bringing her dead mom back to life by vividly recalling simple moments around the house. In "The Story Hearer," we eavesdrop on urban tales and meet wonderfully realized characters (several played by the feisty Jeri Lynn Cohen) during a day's walk through 1970s New York City. Finally, "The Magic Barrel" introduces San Francisco newcomer Max Gordon Moore, burning with joyous intensity as Leo, a young rabbi in training who hires a marriage broker (a transformed and hollow-faced Fischer) to find him a wife, and in the hilarious process finds his faith. Short story as theater is a risky endeavor, but TJT never drops the ball, and the result is pure storytelling -- simplified, thrilling, and vigorously reinvented, a slap in the face to anyone who has ever said theater is dead.