While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
Re: our integration with machines, Jaron Lanier is one of the Big Idea Guys. He was talking virtual reality back when it was more like virtual virtual reality. Fascinated by how the Internet affects everything from business to consciousness to business-consciousness, Lanier is also known around the way as a maestro of rare and eclectic instruments; according to an SF Weekly story from February 2012, he has maybe hundreds in his house — more than he can count, anyway. He’s got a book coming out this year, The Fate of Power and the Future of Dignity, which, get a load of that title. His last, You Are Not a Gadget: A Manifesto, was a pretty scathing critique of pretty much the entire Internet — its structure, its culture, the fact that we give everything away and it’s still a lousy way to exchange ideas. Chances are the new book will raise some eyebrows, too, as will his playing of the Turkish clarinet, if you’re so lucky.
Wed., Feb. 27, 7:30 p.m., 2013