When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
By now you may have heard a rumor that California Shakespeare Theater director Jonathan Moscone's production of Ghosts at Berkeley Rep is a thing of beauty. The rumor happens to be true. Ibsen's tragedy about Helene Alving and her louche son Osvald rings effortlessly from the stage with Ellen McLaughlin and Davis Duffield in the leading roles. McLaughlin plays the widow Helene with a chirping pride, dodging the tired morality of Pastor Manders (James Carpenter) with brisk wit and a dash of philosophy until Osvald tries to marry his half-sister. Emily Ackerman is Helene's amusingly well-behaved (but not quite proper) servant, Regina Engstrand; Brian Keith Russell plays Regina's supposed father. All the acting is first rate, and Moscone's direction is plain and simple. I don't know how long it's been since I've watched an old-fashioned verbal drama work so well, with no special effects or Masterpiece Theatre flourishes. Neil Patel helps with his austere set, bathed in icy Scandinavian light by Scott Zielinski. Patel's set draws no attention to itself until it needs to, in the second act, and then it performs as brilliantly as the cast. "All those years of marriage," Pastor Manders says to Helene, incredulously, "were nothing but wallpaper over an abyss" -- which Ibsen, Moscone, and Patel sweep away with grace and flair.