When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Tilda Swinton doesnt merely act the title role in French director Erick Zoncas Juliashe devours it, spits it back up, dances giddily upon it, twirls it in the air. Its a big, all-consuming performance, and in the hands of a lesser actress and filmmaker, it might have consumed the movie, too. But Julia is nearly as electric as its heroine, a leggy, vodka-guzzling tart in false eyelashes and cheap sequined gowns who tells men she can make their dreams come true, and who can, provided those dreams involve parking-lot sex and sunlight-blasted mornings after. The key to Swintons performance (and to the movie) is that shes playing an actressnot a professional one, but a wily, desperate woman under the influence who adapts herself to what each new situation calls for, sometimes well, sometimes badly, but always with every fiber of her being. Her faces are many, including the eerie black death mask she wears when she agrees to help her unstable Mexican neighbor (the superb Kate del Castillo) kidnap her young son from the clutches of his wealthy grandfather. Its a crackpot scheme made more so by Julias half-cocked attempt to secure herself a bigger share of the ransom money, and by the time the movie winds its way from Los Angeles to Tijuana, one kidnapping gives way to another with no end in sight. Directing his first theatrical feature in the decade since the neo-Bressonian The Dreamlife of Angels, Zonca tips his hat to the entire John Cassavetes oeuvre while crafting a messy, nervy, and frequently exhilarating thriller that operates on instinct rather than plot.
July 10-16, 2009