When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Head on over to Condor Club or Gold Club to watch UFC 202 Diaz vs McGregor 2 at 6 p.m. on Saturday, August 20th. Tickets will sell out quickly, so to purchase your VIP table and advance tickets for Condor Club click here, and for Gold Club click here.More
MUST CLOSE SATURDAY: I Love You, You're Perfect, Now Change (Readers enjoy ½ PRICE tickets with online code LOCAL at www.theTRIBEproductions.org) Enjoy a hysterical show of musical vignettes connected by one theme: love. Let our players take you joyfully through “Everything you secretly thought about dating, romance, marriage, lovers, husbands, wives and in-laws, but were afraid to admit!" Playing at: Bindlestiff Studio 185 6th Street, SF. Thur, Fri, Sat (8pm) & Sundays (2pm), July 15-30. www.theTRIBEproductions.org. theTRIBE has produced in SF since 2013 (“HAIR: the American Tribal Love-Rock Musical,” 2013; “Cabaret,” 2014; and farce “Love, Sex, and the IRS,” 2015), and is excited for you to experience this unique take on Off-Broadway's 2nd longest-running show!More
Guitarfish Festival this weekend! An intimate family, community, arts & music festival held high in the majestic Sierra’s. Enjoy camping in the trees, river swimming, hiking, biking, great food & vending, plus a kids area with activities. Top-notch lineup: Doobie Decibel System Band, ALO, Greyboy Allstars, Lyrics Born, Hamsa Lila, Orgone and many more. A music festival with a cause for the good of the people and our planet! Come camp, dance, swim, & play! guitarfishfestival.comMore
The salient power of this debut recording by leading Bay Area improvisers Lisle Ellis (bass), Marco Eneidi (alto sax), and Peter Valsamis (drums) is not its thematic coherence from track to track. Nor is it the intuitive connection between the players, which tends to be a given among veterans of spontaneous composition such as this. It's not even the supernovas the group inevitably sets off, which may surprise longtime fans who know Ellis and Eneidi from their storied pasts with energy-jazz titans Cecil Taylor and Glenn Spearman. No. What's remarkable about American Roadwork is its meditative character, its in-no-way-clichéd ballads and blues, its quiet strength. Screaming saxophones are no longer avant-garde, and Eneidi (a near-legendary screamer) gets this. By channeling the procreative force of the blowout into mesmerizing sustained notes and full-bodied phrases that go where they need to go without ever feeling pushed, he leads this music toward a living, breathing place where its vitality lies in just being.