While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
Producer, writer, and activist who produced shows like All in the Family, Sanford and Son, and Maude, is awarded the 2016 Freedom of Expression Award after a screening of the new documentary Norman Lear: Just Another Version of You.More
At the main festival ground on Saturday July 23rd and Sunday July 24th at Fort Mason Center, we welcome many celebrities from Japan, including WORLD ORDER, Silent Siren, Wednesday Campanella, GARNiDELiA, Mitz Mangrove, and many more, and we will also host a variety of events, including J-POP LIVE concerts, Meet & Greet sessions, Q&A with special guests, Interactive Summit, Travel Pavilion, Ramen & Sake Summit, dance, karaoke,cosplay and'J-POP Queen' drag contests.More
Pickup basketball is a weird social phenomenon where a bunch of strangers meet at a designated spot during a designated time to engage in an athletic competition governed by de facto rules established in some mythic rulebook.
Serious comedy, powered by an enthusiastic cast and full of good-natured innuendo, Lisa Cholodenko's The Kids Are All Right gives adolescent coming-of-age and the battle of the sexes a unique twist, in part by creating a romantic triangle between a longstanding, devoutly bourgeois lesbian couple Nic and Jules (Annette Bening and Julianne Moore) and the newly identified, merrily free-spirited sperm donor, Paul (Mark Ruffalo), responsible for both the couple's teenage children. Normality, as made clear by the introductory family dinner that features two mothers acting all motherly, rules. (The moms' designated kink is their occasional use of gay male porn as an aphrodisiac.) Whereas Cholodenko's two previous features, High Art (1998) and Laurel Canyon (2003), each focused on an innocent young woman swept up in the glamorously baffling sex-and-drugs scene swirling around a charismatic older female artist, the situation here is reversed; unexpectedly drawn in to and fascinated by the ultra-domestic household created by a pair of charismatic femmes, the swinger is the straight man (literally). Premiered last January at Sundance, The Kids Are All Right triggered a lively bidding war. The enthusiasm is unsurprising: It's actually a pretty conservative movie. Given its juicy premise, The Kids could have been played for sitcom, reality show, or soap opera -- had it had been made in 1970, it might have been an Echo Park Teorema, with everyone winding up in bed together. Ten years into the 21st century, it's a heartfelt poster for family values.
Aug. 27-Sept. 2, 2010