When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Mozzeria, newcomers to the Outside Lands lineup, will bring their 25-foot trolley, a restored mobile San Francisco cable car with a wood-fired oven, to Bluxome Street Winery for a Pinot, Pizza and Funk party. Local funk favorite Tortoise and the Pimps will perform while guests enjoy a special menu of Neapolitan pizzas and wine pairings! A ticket includes entry, one personal pizza and two glasses of wine; tickets are $40 per person. Limited tickets will be available at the door for $45.More
When not causing a dance-rock ruckus with his bass-drums duo Death From Above 1979, mustachioed four-stringer Jesse Keeler likes to team up with pal Al-P to form the equally Canadian, increasingly prolific, vowel-challenged production team MSTRKRFT. Over the past year the pair has crafted remixes for such luminaries as Annie, Bloc Party, The Gossip, and Wolfmother; TheLooks marks its first excursion into all-original material. Like DFA 1979, there's not a guitar within earshot here. Nor is there any rock this is throwback disco-house music, Chicago-style, executed quite ably yet always with a smirk. "Easy Love" bumps with machine-cowbell, plenty of hi-hat abuse, vocodered vocals, filter sweeps, and dirty synth stabs (though not as dirty as the song's over-the-top video, which can only be described in two words: "milkshake bukkake"). Handclaps and Le Tigre-sounding choruses permeate the wiggly electro-funk of "She's Good for Business," while "Street Justice" veers from the disc's predominantly frothy, pastel-colored vibe with gritty, distorted sequences, and a darkly proggy keyboard solo accompanying its 4/4 pulse. And like the track's recurring vocal sample claims, The Looks, more often than not, can really kill on the dance floor.