While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
Producer, writer, and activist who produced shows like All in the Family, Sanford and Son, and Maude, is awarded the 2016 Freedom of Expression Award after a screening of the new documentary Norman Lear: Just Another Version of You.More
At the main festival ground on Saturday July 23rd and Sunday July 24th at Fort Mason Center, we welcome many celebrities from Japan, including WORLD ORDER, Silent Siren, Wednesday Campanella, GARNiDELiA, Mitz Mangrove, and many more, and we will also host a variety of events, including J-POP LIVE concerts, Meet & Greet sessions, Q&A with special guests, Interactive Summit, Travel Pavilion, Ramen & Sake Summit, dance, karaoke,cosplay and'J-POP Queen' drag contests.More
An inconspicuous doorway off Valencia Street leads to a treasure trove of zines and 10,000-plus hours of sound and video recordings from the 1960s to the 1990s, all charting the progressive history of the Bay and its effect on global radical movements.
San Francisco Film Society held their Film Society Awards Night at Bimbo's on Tuesday, May 7th. Harrison Ford was in attendance accepting the 2013 Peter J. Owens Award. Photographs by Josh Edelson for SF Weekly.
Modern-day indie rock owes a huge debt to Pavement, and Crooked Rain is arguably the pinnacle of the band's career: all endearing sloppiness; disses on the Smashing Pumpkins; cool, jammy guitars; wit for miles; and anthemic catchiness (pretentious diehards get over yourself: "Cut Your Hair" is the best indie rock song ever). This reissue contains a remastered version of the original LP, plus B-sides, outtakes, live tracks, rarities, and never-before-released vault material -- that's 49 songs in all, spread over two discs. The bonus material shows that the band made very good choices in choosing what ended up on the '94 release, but also that what they threw away is stronger than what most bands have written in the decade since (see "All My Friends," "Hands off the Bayou," and the piano, shaker, and wah-wah rendition of "Heaven Is a Truck"). Listening to this collection, it's clear that Pavement's secret ingredient was a willingness to have fun and never take itself too seriously, a lesson many bands should take to heart.