While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
Producer, writer, and activist who produced shows like All in the Family, Sanford and Son, and Maude, is awarded the 2016 Freedom of Expression Award after a screening of the new documentary Norman Lear: Just Another Version of You.More
At the main festival ground on Saturday July 23rd and Sunday July 24th at Fort Mason Center, we welcome many celebrities from Japan, including WORLD ORDER, Silent Siren, Wednesday Campanella, GARNiDELiA, Mitz Mangrove, and many more, and we will also host a variety of events, including J-POP LIVE concerts, Meet & Greet sessions, Q&A with special guests, Interactive Summit, Travel Pavilion, Ramen & Sake Summit, dance, karaoke,cosplay and'J-POP Queen' drag contests.More
No passion for fashion is required to enjoy Bill Cunningham New York, an absorbing portrait of legendary New York Times "On the Street" photographer Bill Cunningham, but a sense of history and tragedy might help. Director Richard Press doggedly shadows the chipper octogenarian, foregrounding the modest lifestyle and quietly radical work ethic that have made him as much a hero as an anomaly. Several big-name fans offer enthusiastic tributes, including a positively bubbly Anna Wintour, but the film is no more a document of high style than Cunningham is a spendthrift. Instead, Press has crafted a near-Buddhist reflection on what it takes to fully engage Gotham, as well as an astute snapshot of its evermore avaricious soul: Cunningham's cheerful asceticism is so out of step with what we currently expect (and don't expect) from this city that tagging along with him is a bracing reminder of what's been lost to the bottom line. Perhaps inevitably, Press also slyly raises the question of whether Cunningham's self-deprivation and single-minded focus on surface aesthetics ("If it isn't something a woman can wear, I'm not interested") have taken an unacknowledged toll. Decide for yourself whether the climactic Oprah moment is earned or contrived; it's heartbreaking either way.
April 8-14; April 19-28, 2011