While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
The sinews of old San Francisco lie in the water: the posts standing in the Bay mud that supported the docks and piers where the shipping that made the city possible, and later allowed it to flourish, flowed.
Tonight begins nearly a month of thought-provoking performance works from around the world in the San Francisco International Art Festival. The ambition is grand — to establish a forum for the imaginative and a destination for the inquisitive, much like Edinburgh or Avignon. In an attempt to deepen cross-cultural admiration, organizers seek collaborators and artists who might not otherwise set foot on American shores. Of course, in some cases, it takes more than a warm welcome. An ideal example is Iranian playwright Nassim Soleimanpour, who refused to serve his country’s armed forces and as a result can never receive a passport. His play, White Rabbit, Red Rabbit, requires no director, no set, and only one new, unrehearsed actor for each performance. Additional characters are drawn, seemingly at random, from the audience and instructed in their roles as Rabbits who, following a rich Iranian tradition of staged metaphor and political critique, embody the experience of Soleimanpour’s generation. While Rabbit has been much-lauded at other festivals, including Edinburgh’s Fringe, it seems a custom fit for this festival. Straddling a queasy line between Disney and Orwell, the script skillfully raises the specter of Soleimanpour, while playing with our sense of mutual responsibility. Fifteen different actors open the script for the first time, starting tonight with Josh Kornbluth (8 p.m. at the International Festival Lounge). Others include Velina Brown, Paul S. Flores, Rhodessa Jones, and Charlie Varon. The festival continues with various theater, dance, and music acts such as Cuba’s Raices Profundas, Russia’s Liquid Theatre, and the AXIS Dance Company, a U.S. troupe that employs dancers with disabilities.
May 4-20, 2012