While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
Producer, writer, and activist who produced shows like All in the Family, Sanford and Son, and Maude, is awarded the 2016 Freedom of Expression Award after a screening of the new documentary Norman Lear: Just Another Version of You.More
At the main festival ground on Saturday July 23rd and Sunday July 24th at Fort Mason Center, we welcome many celebrities from Japan, including WORLD ORDER, Silent Siren, Wednesday Campanella, GARNiDELiA, Mitz Mangrove, and many more, and we will also host a variety of events, including J-POP LIVE concerts, Meet & Greet sessions, Q&A with special guests, Interactive Summit, Travel Pavilion, Ramen & Sake Summit, dance, karaoke,cosplay and'J-POP Queen' drag contests.More
The Children's Theatre Association of San Francisco gives the well-known yarn about a girl with exceedingly long locks a new sheen with its romping musical adaptation of Rapunzel, staged in the Legion of Honor's gorgeous subterranean wedding cake of a theater. With its gender stereotyping -- a frilly pink dress and squeaky voice for the generously tressed damsel in distress, and a feathered cap, black boots, and swagger for her handsome prince -- and tidy moral messages, this production presents, in some ways, a traditional retelling of the Grimm fairy tale. But the fizzy book and lyrics by David Crane and Marta Kauffman (an interesting departure for the Emmy Award-winning writing duo behind the Friends television series), composer Michael Skloff's toe-twirling tunes, and quirky performances by CTA's strong-voiced ensemble ensure that the cobwebby one-liner "Rapunzel, Rapunzel let down your hair" isn't a letdown. In fact, some of the jokes play as well to adults as they do to children. From a vegetarian witch (played alternately by Suzy Cronholm and Susan Pelosi) who wears too much hair spray and enjoys turning little boys into Brussels sprouts with her magic ring to a love duet with the tongue-in-cheek refrain "Me, my hair, and I," CTA's show is a scalp-tickling experience.