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Repertory Film Listings 

Repertory Film Listings

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Commentary by Gregg Rickman (greggr2006@yahoo.com). Times compiled from information available Tuesday; it's always advisable to call for confirmation. Price given is standard adult admission; discounts often apply for students, seniors, and members. For additional Reps Etc. listings, go to sfweekly.com.

We're interested in your film or video event. Please send materials at least two weeks in advance to: Film Editor, SF Weekly, 185 Berry, Suite 3800, San Francisco, CA 94107.

ARTISTS' TELEVISION ACCESS 992 Valencia (at 21st Street), 824-3890, www.atasite.org. $5 save as noted. This venue offers all manner of strange and unusual video and film.

WEDNESDAY (Jan. 31): Bike Night at the Movies II features a mix of cycling movies and a birthday cake for local favorite Puck. $3 8 p.m.

FRIDAY (Feb. 2): A free screening of a film-in-progress by Amir Jaffer and Joyce Lee Kinney, Eve, about a woman's struggle with her past. Feedback welcome 8 p.m.

SATURDAY (Jan. 27): The latest by prolific Berkeley auteur Antero Alli, The Mind is a Liar and a Whore (2007), set during a "bioterrorist attack" that may not be real. $6 8 p.m.

BALBOA
3630 Balboa (at 38th Avenue), 221-8484, www.balboamovies.com. $8.50 save as noted. This great neighborhood house shows films of all sorts.

WEDNESDAY & THURSDAY: Two outstanding visionary films: in Theater One, Alfonso CuarÓn's near-future Children of Men (U.K., 2006; 12:20 p.m.; 2:40, 5, 7:20, 9:30 p.m. ); in Theater Two, Guillermo del Toro's fantastic past Pan's Labyrinth Spain, 2006; noon, 2:20, 4:40, 7, 9:10 p.m. ).

STARTS FRIDAY: Call for films and times.

CASTRO
429 Castro (near Market), 621-6120 and www.thecastrotheatre.com. $10 save as noted. Short-run rep in a spectacular 1922 Greco-Roman-themed palace designed by Timothy L. Pflueger. Evening intermissions feature David Hegarty on the Mighty Wurlitzer.

WEDNESDAY: A Noir City series continues with two scripted by Roy Huggins, I Love Trouble (S. Sylvan Simon, 1948; 7:30 p.m. ), with Franchot Tone as a wisecracking detective, and the excellent Pushover (Richard Quine, 1954; 9:30 p.m. ), with Fred MacMurray as a not-so-honest cop, and a good early role for Kim Novak.

THURSDAY: Noir City — A beautiful print is promised of Fritz Lang's grim Scarlet Street (1945; 7:15 p.m. ), a classic usually seen in bad public domain copies. It screens with Beverly Michaels as a man-killing Wicked Woman (Russell Rouse, 1953; 9:30 p.m. )

FRIDAY: Noir City — Two photographed by master noir cinematographer John Alton, the well-regarded The Big Combo (Joseph H. Lewis, 1955; 7:30 p.m. ), and the little-known The Spiritualist (Bernard Vorhaus, 1948; 10 p.m. ).

SATURDAY: Noir City — Burt Lancaster is an ex-con on the track of Kirk Douglas in I Walk Alone (Byron Haskin, 1948; 1, 5, 8:40 p.m. ) and then asks Joan Fontaine to Kiss the Blood Off My Hands (Norman Foster, 1948; 3, 7 p.m. ).

SUNDAY: Noir City — Joan Crawford is a gangland moll who learns The Damned Don't Cry (Vincent Sherman, 1950; 1, 5, 9:15 p.m. ) and then is Possessed?(Curtis Bernhardt, 1947; 3, 7:10 p.m. ) by, of all people, Van Heflin.

MONDAY: Closed.

TUESDAY: A "Troubled Terrestrials Tuesdays" series opens with Richard Dreyfuss delving deep into the mashed potatoes of Steven Spielberg's Close Encounters of the Third Kind (1977; 7 p.m. ), plus Emilio Estevez slinging generics in the cult favorite Repo Man (Alex Cox, 1984; 9:40 p.m. ).

CERRITO SPEAKEASY
285 Ninth St. (at Folsom), www.cerritospeakeasy.com. This recently restored second-run theater, a sister theater to Oakland's Parkway, offers occasional special screenings, including "Cerrito Classics," a different revival every weekend. $5.

SATURDAY (Feb. 3): A musical series opens with he unmusical Marlon Brando mixing it up with Frank Sinatra in Guys and Dolls (Jospeh Mankiewicz, 1955) 2:30, 6 p.m.

DARK ROOM THEATRE
2263 Mission (between 18th and 19th "between the pawn shop and the laundromat"), 401-7987, www.darkroomsf.com. Live cabaret, plus regular film screenings with audience cat-calling encouraged.

SUNDAY (Feb. 4): Dark Room's "Bad Movie Night" begins a two-week "D-Long Vowel-Consonant Month" with Doom (Andrezj Bartcowiak, 1997), a videogame adaptation co-starring Karl Urban and the Rock (both of whose names also end in consonants). Next week: Dune (hey, that's not a consonant!). $5 8 p.m.

EL RIO
3158 Mission (at Precita near Cesar Chavez), 282-3325, www.elriosf.com. This neighborhood bar often screens programs on its outdoor patio (or indoors if it rains).

THURSDAY (Feb. 1): A benefit for the documentary film-in-progress Cigarra, about Mestranda Marcia Cigarra and other women involved in the Brazilian art of capoeira. Music and dancing follow. $10-$50 sliding scale 7 p.m.

FOREIGN CINEMA
2534 Mission (between 21st and 22nd streets), 648-7600), www.foreigncinema.com. Free with meal. This restaurant screens foreign films, usually in 35 mm, on the back wall of its outdoor patio, with drive-in speakers available for the tables of those who want to watch while they dine.

DAILY: Ugo Tognazzi and Michel Serrault star in the popular farce La Cage aux Folles (Edouard Molinaro, France, 1978), screening through Feb. 25 "Starts at dusk."

LUMIERE
1572 California (at Polk), 352-0810, www.landmarktheatres.com. This multiplex is only partly a "calendar house" rep theater; for the rest of the Lumiere schedule, see our Showtimes page. $9.75.

STARTS FRIDAY: Flannel Pajamas (Jeff Lipsky, 2006). See Opening for review. Call theater for times. Filmmaker in person both evening shows Friday.

MECHANICS' INSTITUTE LIBRARY
57 Post (near Market), 393-0100 and www.milibrary.org for information; phone or e-mail rsvp@milibrary.org for reservations. $10. This cultural asset of long standing concludes a summer film series this week. Shown on projected video, with salon-style discussions to follow.

FRIDAY (Feb. 2): A "Stranger Than Fiction" series screens Frank Capra's utopian fantasy Lost Horizon (1937) 6:30 p.m.

OPERA PLAZA
601 Van Ness (at Golden Gate), 267-4893, www.landmarktheatres.com. This multiplex is only partly a "calendar house" rep theater. $9.75.

WEDNESDAY & THURSDAY: Climates (Nuri Ceylan, Turkey, 2006) 1:40, 4:30, 7:10, 9:40 p.m.

STARTS FRIDAY: Call theater for program.

RED VIC
1727 Haight (at Cole), 668-3994, www.redvicmoviehouse.com. $8 save as noted. There's a spot on the couch for you at this collectively owned rep house.

WEDNESDAY & THURSDAY: Spend 24 Hours on Craig's List (Michael Ferris Gibson, 2005) and just see how much new stuff you'll have! Director in person at evening shows 7:15, 9:35 p.m.; also Wed 2 p.m.

FRIDAY & SATURDAY: The only all-black 3-D porn film from the Boogie Nights era, Wildcat Women (Stephen Gibson, 1975), finds Miss Black Galaxy Yolanda Love taking on gangsters with her all-female karate crew 7:15, 9:15 p.m.; also Sat 2, 4 p.m.

SUNDAY THROUGH TUESDAY: Werner Herzog's science fiction fantasy The Wild Blue Yonder (U.K./Germany, 2005) 7:15, 9:15 p.m.; also Sun 2, 4 p.m.

ROXIE FILM CENTER
3117 and 3125 16th St. (at Valencia), 863-1087, www.roxie.com. $8 save as noted. Short-run repertory on two screens, separated by a bar, in this adventurous affiliate of New College.

WEDNESDAY & THURSDAY: On Screen 1, make sure your jeans are clean in China Blue (Micha Peled, 2006) 7, 8:45 p.m.; also Wed 2:30, 4:30 p.m. On Screen 2, the Dragapella Barber Shop Quartet the Kinsey Sicks croon I Wanna Be a Republican (Micha Peled, 2006) at 6:15, 8, 9:45 p.m.

FRIDAY: The Annual IndieFest of independent cinema opens here with I Wanna Be a Republican (Micha Peled, 2006). 6:15, 8, 9:45 p.m.; also Sat, Sun 2, 4 p.m. Call for other films and times.

FRIDAY THROUGH SUNDAY (Feb. 2-4): Direct from this year's Sundance, Rory Kennedy's Ghosts of Abu Ghraib (2007) features interviews with perpetrators, witnesses, and victims 7, 8:45 p.m.; also Sat, Sun 3, 5 p.m.

SAN FRANCISCO MUSEUM OF MODERN ART
Koret Visitor Education Center (unless otherwise noted), 151 Third St. (between Mission and Howard), 357-4000, www.sfmoma.org. Screenings are free with museum admission of $12.50 save as noted.

DAILY (Closed Wednesdays): Phillip Guston: A Life Lived (Michael Blackwood, 1997) 2:30 p.m.

THURSDAY (Feb. 1): Phyllis Wattis Theater — "Wide Lens," a weekly series of Oscar-winning documentaries, screens Barbara Kopple's engrossing study of a mining strike, Harlan County, USA (1976). Filmmaker in person. $7 8:30 p.m.

SAN FRANCISCO PUBLIC LIBRARY
Koret Auditorium, Lower Level, 100 Larkin (at Grove), 557-4400, http://sfpl.lib.ca.us. A weekly video program screens on Thursdays and occasional other days. Free.

THURSDAY (Feb. 2): The acclaimed, and recently restored, civil rights documentary Eyes on the Prize (Henry Hampton, 1987) screens all this month. Today, the episodes Two Societies (1965-68) and Power! (1966-8, on the rise of the Black Panthers) noon.

YERBA BUENA CENTER FOR THE ARTS
701 Mission (at Third Street, in Yerba Buena Gardens), 978-2787, www.YerbaBuenaArts.org. $8 save as noted. This venue's Screening Room is a home for film and video programs of all sorts.

WEDNESDAY (Jan. 31): The Jewish Film Festival screens Marti: The Passionate Eye (Shirley Horrocks, 2005), about New Zealand photographer Marti Friedlander, and My Eyes Were Fresh (Jane Levy Reed, 2005), on San Francisco's John Gutmann 7:30 p.m.

SUNDAY (Feb. 4): TIE, the International Experimental Cinema Exposition, presents Celluloid Cinema: Program One, a set of experimental films including Robert Janker's X-Ray Movie 1: The Alimentary System (Germany, 1936), Andy Warhol's double-screen The Velvet Underground and Nico (1966), and several 21st century films 7:30 p.m.

TUESDAY (Feb. 6): San Francisco Performances presents a free program of dance from the Paul Taylor Dance Company 7 p.m.

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