When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
In the past 30 years, light artists have reimagined an art form that has always had the ability to turn the night sky, or a simple window, into luminescence. Last fall, the Yerba Buena Center for the Arts turned its southern glass wall into a parade of sound-sensing lights, Lightswarm, that changes with the movements of nearby people and things. Future Cities Lab, the San Francisco design company behind Lightswarm, has originated another notable light sculpture. Located by the YBCA's steps at 701 Mission, Murmur Wall will light up in arresting ways as it incorporates local trending search engine results and social media postings. Onlookers can offer their own contributions, which will feed into the Murmur Wall's data stream and light up the sculpture. What's trending in San Francisco? If you're walking by the YBCA, you can see firsthand — at least through light patterns that reflect the city's volatile internet habits.
Murmur Wall debuts Thursday at 6 p.m. and continues through May 31, 2017, at Yerba Buena Center for the Arts, 701 Mission St., S.F. Free; 415-978-2700 or ybca.org. More
Mozzeria, newcomers to the Outside Lands lineup, will bring their 25-foot trolley, a restored mobile San Francisco cable car with a wood-fired oven, to Bluxome Street Winery for a Pinot, Pizza and Funk party. Local funk favorite Tortoise and the Pimps will perform while guests enjoy a special menu of Neapolitan pizzas and wine pairings! A ticket includes entry, one personal pizza and two glasses of wine; tickets are $40 per person. Limited tickets will be available at the door for $45.More
With neighborhood institutions like the 21 Club closing to make way for yuppie cocktail bars, Brown Jug remains an oasis — and one that takes full advantage of the state's operating hours window, 6 a.m. to 2 a.m. daily.
A deceptively light time-travel romance, Woody Allen's Midnight in Paris uses fairy-tale devices as a way to get to the filmmaker's familiar themes. A nebbishy screenwriter who longs to publish a novel, Gil (Owen Wilson) is working on a book set in a nostalgia shopmuch to the open frustration of Inez (Rachel McAdams), his rich-girl fiancée. The couple has accompanied her parents on a trip to Paris, and one night Gil drunkenly wanders off alone. A car pulls up, the strangers inside offer him a ride, and the next thing we know, he is at a party full of flappers dancing to Cole Porter. When a vivacious young couple introduce themselves as Scott and Zelda, he comes to understand that he's been transported to Paris, circa the 1920s. Ernest Hemingway offers to show Gil's novel-in-progress to his good friend Gertrude Stein, so Gil runs out to grab his manuscriptand promptly gets lost in the present day. But the next night, another mysterious car drives up, and he is once again transported to his personal nostalgic paradise. The high concept is a means, not an end: Allen's not terribly interested in inter-dimensional travel, but it's a backdoor way to investigate the problem of timeour inability to slow it down, to make anything good last or prevent inevitable miserywithin ordinary life.
July 1-7, 2011