When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
Llewelynn Fletcher's immersive sculptures beguile the senses. Sasha Petrenko's site-specific installations and performances strive to capture a dynamic, living planet. Austin Thomas hides heady themes in seemingly austere drawings, photos, and sculptures. She also cobbles together site-specific social spaces which she calls "perches," but which are obviously kick-ass treehouses, minus the trees. These and other artists are contributing super-sized works for "Just Passing Through: Sculptures and Installations" at the University of San Francisco's Rooftop Sculpture Terrace. "Just Passing Through" promises to challenge notions about how we inhabit or pass through space, or at least provide a lovely respite in a busy city.
"Just Passing Through: Sculptures and Installations" is open to the public 9 a.m.-5 p.m. and runs through Dec. 11 at Kalmanovitz Hall, University of San Francisco, 2130 Fulton St., S.F. Free; 422-5178 or usfca.edu. More
Mondays-Fridays, 9 a.m.-5 p.m. Continues through Dec. 11
Weird little marvels are the works of Ron Nagle, the ceramicist whose work has helped prove that a sculptor who works in clay can be a serious presence in the art world. Nagle has been making vessels and intimate-sized sculptures since the 1960s, when he was associated with the norm-busting California ceramics movement and studied with one of its prime forces, fellow abstract-expressionist Peter Voulkos. A species of one, Nagle has continued to create compelling and painstakingly crafted pieces that are elegant yet unsettling. His sculptures contain puckered surfaces, unusual textural juxtapositions, amorphous shapes, and a surreal look. His cups, some of which have been overglazed and repeatedly fired, appear to have come from a tea party on Mars. With diverse influeneces, including ceramicist Ken Price, abstractionist Cy Twombly, still-life painter Giorgio Morandi, and California cool-car culture, Nagle is a distinctive artist and a San Francisco spirit. To learn more, come hear his lecture at the San Francisco Art Institute — his first appearance there since his 1978 Adaline Kent Award exhibition.More
199 Valencia St., 415-255-7505
As beloved dive bars shutter their doors (RIP Pop’s) and new, shiny condominiums spring up all over the Mission District, there is one place left that defies the tech empire’s new, unsullied landscape of luxury: Zeitgeist.
Crime investigation and absurd humor go hand-in-rubber-glove, stretching from Inspector Jacques Clouseau of Pink Panther fame past Lt. Frank Drebin of Police Squad to any cast member of today's Reno 911! Considering the existing hysteria in this genre, comedic actors face a quandary -- how to spoof crime drama without doing what has already been done. Enter the comedy troupe Funny But Mean, whose Law and Order San Francisco Unit: The Musical (sort of)! mixes in (you guessed it) musical numbers while also adding audience participation (à la murder mystery dinner theater) for good measure. The group calls the production its "latest crime scene," incorporating characters "ripped from the television series" Law and Order (the original) as well as the Criminal Intent and Special Victims Unit franchises. Eleven cast members combine their skill, interrogation tactics, and song to solve what is claimed to be the weirdest crime wave in San Francisco history. (Can't wait to see what that is.) Funny But Mean says the audience decides the ultimate fate of the accused, so spend your Monday night doing your part for our criminal justice system. The troupe extends the run of its current production at the Exit Theatre.
Mondays, 8 p.m. Starts: Nov. 1. Continues through Nov. 15, 2010