While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
We were recently surprised to learn that, while print and e-book publishing lan- guishes, audiobooks do better and better with every passing year. (Downloads in 2015 were up 38 percent over 2014.) We like to imagine that it’s the allure of the well-trained dramaturge that makes emotional connections while leaving some- thing to the listener’s imagination — not background noise for long commutes. In such a case, there can be no finer pleasure than a staged reading by longtime favorites Word for Word, a company that has brought countless short stories from page to stage, including “Sonny’s Blues” by James Baldwin, “The Fall River Axe Murders” by Angela Carter, “Berenice” by Edgar Allan Poe, and “The Bunch- grass Edge of the World” by Annie Proulx. During “Off the Page,” devotees help the company massage prose into parts, and sometimes, as was the case with Al- ice Munro’s work, choose the next story for production. Tonight, the actors ap- proach short fiction from Jamie Quatro’s highly lauded IWanttoShowYou More, which explores faith, (in)fidelity, and family along the border between Georgia and Tennessee.More
A storytelling night with Carnie Asada, Profundity, Coco Buttah, Mahlae Balenciaga, Greg der Ananian, and Fauxnique, celebrates Shark Week with accounts of dangerous, deadly, and treacherous creatures.More
Be there when Cara Black discusses her new book: Murder on the Quai. Aimee Leduc is in her first year of college at Paris's preeminent medical school. But Aimee's world is crumbling: her boyfriend is leaving her, her father leaves for Berlin for a mysterious errand and asks Aimee to look after his detective agency. She begins to investigate a murder. A book sale by the Friends of the San Francisco Public Library follows the event.More
Colin Tilley's video for Kendrick Lamar's "Alright"
Kendrick Lamar is from Compton, but Colin Tilley, the director of the music video for Lamar's song "Alright" — which was nominated for four MTV Video Music Awards and was performed by the artist at the 2016 Grammy Awards — is Berkeley-born and -raised.
San Francisco Film Society held their Film Society Awards Night at Bimbo's on Tuesday, May 7th. Harrison Ford was in attendance accepting the 2013 Peter J. Owens Award. Photographs by Josh Edelson for SF Weekly.
With the press release accompanying Heaven's Pregnant Teens painting it as an album of "unrelenting musical psychosis" adding "new dimensions of brutality," I was a bit apprehensive of this latest offering by San Diego hardcore quintet Some Girls (featuring members of the Locust, Give Up the Ghost, and other aggro outfits). Bracing for an eardrum-scraping wall of pain, I was surprised to find the 13 tracks familiarly catchy in an old-school punk manner. Many songs sound akin to something you'd hear while tooling around a mid-'80s thrash pit; "You'll Be Happier With Lower Standards" brought to mind Bad Brains. The standout cut here is a cover: a Flipper-ish take on Public Image Ltd.'s 1978 screed "Religion II." The disc terminates with the relentless nine-minute pummel of "Deathface," at the end of which singer Wesley Eisold yells the word "ape" 177 times. It's compelling at the very least, and not as annoying as you'd think. While Heaven's Pregnant Teens resembles much that has come before, the guys in Some Girls do their thing exceedingly well, and they probably kick unholy butt live. Plus guitarist Charles Rowell has a cool last name.