When the ancient Polynesians invented surfing, they often used a paddle to help them navigate. Fast-forward a few millennia, and Stand-Up Paddleboarding, or SUP, finds itself trendy again. Part of its increasing popularity is that standing upright allows surfers to spot waves more easily and thus catch more of them, multiplying the fun factor. Paddling back to the wave becomes less of a strain as well. The ability to cruise along on flat inland water, surveying the sights, is another advantage. Finally, its a good core workout. If youre sold on the idea, schedule an intro SUP lesson, free with board and paddle rental, and you may find yourself riding the waves like a Polynesian king.More
Llewelynn Fletcher's immersive sculptures beguile the senses. Sasha Petrenko's site-specific installations and performances strive to capture a dynamic, living planet. Austin Thomas hides heady themes in seemingly austere drawings, photos, and sculptures. She also cobbles together site-specific social spaces which she calls "perches," but which are obviously kick-ass treehouses, minus the trees. These and other artists are contributing super-sized works for "Just Passing Through: Sculptures and Installations" at the University of San Francisco's Rooftop Sculpture Terrace. "Just Passing Through" promises to challenge notions about how we inhabit or pass through space, or at least provide a lovely respite in a busy city.
"Just Passing Through: Sculptures and Installations" is open to the public 9 a.m.-5 p.m. and runs through Dec. 11 at Kalmanovitz Hall, University of San Francisco, 2130 Fulton St., S.F. Free; 422-5178 or usfca.edu. More
Mondays-Fridays, 9 a.m.-5 p.m. Continues through Dec. 11
Weird little marvels are the works of Ron Nagle, the ceramicist whose work has helped prove that a sculptor who works in clay can be a serious presence in the art world. Nagle has been making vessels and intimate-sized sculptures since the 1960s, when he was associated with the norm-busting California ceramics movement and studied with one of its prime forces, fellow abstract-expressionist Peter Voulkos. A species of one, Nagle has continued to create compelling and painstakingly crafted pieces that are elegant yet unsettling. His sculptures contain puckered surfaces, unusual textural juxtapositions, amorphous shapes, and a surreal look. His cups, some of which have been overglazed and repeatedly fired, appear to have come from a tea party on Mars. With diverse influeneces, including ceramicist Ken Price, abstractionist Cy Twombly, still-life painter Giorgio Morandi, and California cool-car culture, Nagle is a distinctive artist and a San Francisco spirit. To learn more, come hear his lecture at the San Francisco Art Institute — his first appearance there since his 1978 Adaline Kent Award exhibition.More
Much is made about our city's storied history in subversive art, with iconic groups like the Billboard Liberation Front, Survival Research Laboratories, the Cacophony Society, and the Suicide Club. A group in Paris, however, gives all of it a run for its money, if not a shellacking. Meet the secretive Paris Urban eXperiment, aka the UX. It came into being in 1981, when the group came across (stole) plans detailing Paris' numerous underground passages, catacombs, and tunnels, and went exploring. Then UX started throwing events down below: staging plays, throwing up a movie theater and a bar, serving guests at a restaurant. The group also -- and here UX becomes part of the holy underground -- began restoring stuff. Fixing things. Often stuff the French government would have liked to fix but didn't have the money for, like the Wagner clock at the Panthéon, which one morning, after 40 years, simply started to chime. That's lovely. The group is supposedly behind 15 such covert restorations, most of which we know little about -- the French police have a unit dedicated to UX, after all. The group is intensely secretive, but tonight you can get a peek under the curtain at the talk “Preservation without Permission: The Paris Urban eXperiment," in which UX's spokesman, Lazar Kunstmann (probably not his real name, because it means "art man" in German), appears tonight with Wired's Jon Lackman, who wrote about UX for the magazine.
Tue., Nov. 13, 7:30 p.m., 2012