While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
Producer, writer, and activist who produced shows like All in the Family, Sanford and Son, and Maude, is awarded the 2016 Freedom of Expression Award after a screening of the new documentary Norman Lear: Just Another Version of You.More
At the main festival ground on Saturday July 23rd and Sunday July 24th at Fort Mason Center, we welcome many celebrities from Japan, including WORLD ORDER, Silent Siren, Wednesday Campanella, GARNiDELiA, Mitz Mangrove, and many more, and we will also host a variety of events, including J-POP LIVE concerts, Meet & Greet sessions, Q&A with special guests, Interactive Summit, Travel Pavilion, Ramen & Sake Summit, dance, karaoke,cosplay and'J-POP Queen' drag contests.More
Yesterday's honky-tonk hero, Bad Blake, arrives at a Clovis, New Mexico, bowling alley. It's another in a string of low-pay, low-turnout gigs with pickup bands half his age, grinding the Greatest Hits out of an old Fender Tremolux, including his breakout -- with the chorus, "Funny how falling feels like flying . . . for a little while." Bad's not flying these days; he's dying slowly on a bourbon diet, holed up in motels watching Spanish-language smut. Actor turned writer-director Scott Cooper adapted Crazy Heart from Thomas Cobb's 1987 novel (the title is a Hank Williams B-Side). Cobb wanted Waylon Jennings for Bad Blake; Jeff Bridges finally got the part, though the now deceased Jennings and Bad's other inspirations hang over it. It's easy to forget, as Billboard's Country charts fill with faintly twangy pop and lazy paeans to dogs and trucks, that this music has an atavistic darkness. Bad has just about bottomed out when a small-time journalist, Jean (Maggie Gyllenhaal), meets him for a rare interview -- and sticks around. Crazy Heart follows the slow recovery of atrophied emotional responses that starts when Bad gets involved with Jean and her young son. The subject, rehabilitation, is old and resonant. (Says Waylon: "We've been the same way for years/We need to change.") No scene feels obligatory, and Crazy Heart shows a pragmatic but tender understanding of the relationship between physical breakdown and the discovery of morality. It's merely a well-done, adult American moviethat is to say, a rarity.
Starts: Feb. 23. Daily, 2010