While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
Producer, writer, and activist who produced shows like All in the Family, Sanford and Son, and Maude, is awarded the 2016 Freedom of Expression Award after a screening of the new documentary Norman Lear: Just Another Version of You.More
At the main festival ground on Saturday July 23rd and Sunday July 24th at Fort Mason Center, we welcome many celebrities from Japan, including WORLD ORDER, Silent Siren, Wednesday Campanella, GARNiDELiA, Mitz Mangrove, and many more, and we will also host a variety of events, including J-POP LIVE concerts, Meet & Greet sessions, Q&A with special guests, Interactive Summit, Travel Pavilion, Ramen & Sake Summit, dance, karaoke,cosplay and'J-POP Queen' drag contests.More
As in his equally exceptional last film, Secret Sunshine (2007), Lee Chang-dong's Poetry is a perfectly paced and performed character study of a woman raising a child on her own who must contend with a heinous act of violence. In her 60s, Mija (the marvelous Korean screen vet Yun Jung-hee) lives with her sullen adolescent grandson, Wook (Lee David), whose mother is looking for work in Busan. Poetry's first third gently observes the quotidian activities of its heroine, who has just been diagnosed with dementia, and her endless caretaking not only of her obnoxious grandson but the infirm patriarch who employs her as a home aide. Though most of her hours are spent cleaning up after others, Mija, prone to nattering, is not without pride or curiosity; impeccably attired in floral prints, she enrolls in a poetry class. As she desperately awaits inspiration from the muses, Mija learns of Wook's role in a despicable act committed against one of his female classmates; the words flow after she decides her charge must suffer the consequences of his actions. Poetry, rightfully awarded Best Screenplay at Cannes last year, stands out as both a quietly scathing condemnation of male violence (and the craven attempts to cover it up) and an ode to the strength of a senescent woman all too frequently dismissed.
April 8-21, 2011