If your idea of a good time at the movies requires a three-act narrative consisting of the hook, the conflict, and the climax, followed by a quick resolution, then Amateurs of the Impossible is not for you. Filmmakers Margaret Rorison and Zach Iannnazzi are like painters — or, as Orson Welles suggested, poets with camera lenses for eyes. They reach beyond the presentational to build film-loop elegies, plein air panoplies, and celluloid sonatas that whip up dreams, memories, emotions, and musings. Rorison, co-founder of Baltimore's much-loved roaming experimental film series Sight Unseen, contributes six shorts, including a handmade study of Danish wind power, a collaboration with the Effervescent Dance Collective, a landscape portrait of Brooklyn's Gowanus Canal, and a 16-mm tribute to her grandfather that is saturated by field recordings of oil rigs and fishing lines on the Louisiana bayou. Iannazzi offers three shorts, including a found-footage scrapbook of fading Northern California and a superimposed diptych of home movies that explores "mid-century male bonding and the hubris of hunting culture."
"Amateurs of the Impossible" begins at 7:30 p.m. at Artists Television Access, 992 Valencia St., S.F. $10; 415-824-3890 or sfcinematheque.org. More
Scientists used to consider it balderdash, but the belief that humans can cause earthquakes has recently been validated by a significant increase in tremors occurring in the Central United States. Nearly twice as many quakes, magnitude 3 and up, have happened there in the last six years than in the previous 36 years; in 2014, more strong earthquakes jolted Oklahoma than California. Justin Rubinstein, a U.S. Geological Survey research geophysicist, believes oil and gas extraction is responsible for this. Hydraulic fracturing is part of the problem, but Rubinstein says the top culprit is the injection of wastewater from oil and gas operations into permanent storage areas underground. He believes that human activity of this sort could trigger a magnitude 7 shaker. All agree that San Francisco's expected Big One will be an act of nature, not industry, but anyone earthquake-curious should find Rubinstein's talk ("Yes, Humans Really Are Causing Earthquakes") of interest. The event is part of a USGS series of free lectures for non-experts.
Justin Rubinstein’s lecture, “Yes, Humans Really Are Causing Earthquakes,” is set for 7 p.m. at USGS, Building 3, Rambo Auditorium, 345 Middlefield Road, Menlo Park. Free; online.wr.usgs.gov/calendar.More
True story: In fourth grade, a nun gave a friend and I detention for breakdancing, squashing whatever dreams two guilt-stricken Catholic-school twerps may have had of becoming future B-boys. Maybe it was for the best, given how notoriety and financial reward are hard to come by in the world of B-boying, a reality illuminated by Benson Lee's documentary Planet B-Boy, which weaves the stories of dance crews from 18 nations vying in the Battle of the Year championship in Braunschweig, Germany. Lee pays little attention to the roots of breakdancing or how it helped to spread hip-hop worldwide, choosing instead to obsess over the mad skillz of his international subjects. The B-boys' whirling legs and arms sustain your interest, but only Teams Korea and France get ample face time, the former for incorporating its country's divisive politics into the choreography, and the latter for having a lily-white shortie in its ragtag crew. The flashes of human interest are welcome, but what most sticks is Planet B-Boy's aesthetic, which feels jocked from the school of Michael Moore and runs counter to one B-boy's gripe about breakdancing being co-opted by mainstream America back in the day.
March 30-April 3, 2008