While they often presented themselves as bodybuilders’ publications, their chuckle-prompting titles — Torso, Adonis, Honcho, Mandate — didn’t lie. Gay men’s magazines of decades past were bought by gay men who wanted to look at the erotic illustrations of well- built male bodies therein. Because any- one known to possess such material in the homophobic 1950s and 1960s could experience serious consequences, men hid the magazines under their mat- tresses. These illustrations have now inspired a traveling exhibition, Stroke: From Under the Mattress to the Museum Wall. Curated by notable erotic artist Robert W. Richards and orig- inating at the Leslie-Lohman Museum of Gay and Lesbian Art, the popular show contains 24 original illustrations that ap- peared in gay magazines from the 1950s to the 1990s. It also looks at how gay men, forced into the closet during those decades, used these pictures to explore their sexuality intimately. It additionally serves as a showcase for the artists in- volved. On view are works by two dozen top artists of the times, including Touko Laaksonen (Tom of Finland), Antonio Lopez (Antonio), and David Martin.More
We were recently surprised to learn that, while print and e-book publishing lan- guishes, audiobooks do better and better with every passing year. (Downloads in 2015 were up 38 percent over 2014.) We like to imagine that it’s the allure of the well-trained dramaturge that makes emotional connections while leaving some- thing to the listener’s imagination — not background noise for long commutes. In such a case, there can be no finer pleasure than a staged reading by longtime favorites Word for Word, a company that has brought countless short stories from page to stage, including “Sonny’s Blues” by James Baldwin, “The Fall River Axe Murders” by Angela Carter, “Berenice” by Edgar Allan Poe, and “The Bunch- grass Edge of the World” by Annie Proulx. During “Off the Page,” devotees help the company massage prose into parts, and sometimes, as was the case with Al- ice Munro’s work, choose the next story for production. Tonight, the actors ap- proach short fiction from Jamie Quatro’s highly lauded IWanttoShowYou More, which explores faith, (in)fidelity, and family along the border between Georgia and Tennessee.More
A storytelling night with Carnie Asada, Profundity, Coco Buttah, Mahlae Balenciaga, Greg der Ananian, and Fauxnique, celebrates Shark Week with accounts of dangerous, deadly, and treacherous creatures.More
Be there when Cara Black discusses her new book: Murder on the Quai. Aimee Leduc is in her first year of college at Paris's preeminent medical school. But Aimee's world is crumbling: her boyfriend is leaving her, her father leaves for Berlin for a mysterious errand and asks Aimee to look after his detective agency. She begins to investigate a murder. A book sale by the Friends of the San Francisco Public Library follows the event.More
Nob Hill Theatre, the all-genders-welcome male strip club, is holding it down on Bush Street, and after several decades of D, it's still S.F.'s only place to see full-frontal guys up close, seven nights a week (for $20).
To the devoted skateboarder, the sound of trucks grinding is already music to the ears. Canadian sound sculptors Christian Nicolay and Sam McKinlay wish to prove it to the rest of us. By mic-ing a live skateboarder on a custom-built railing wired for sound, breath, metal, and wheels are captured and manipulated, transforming urban dalliance into sonic dissonance. Pedestrians may operate distortion and delay effects, but the artists improvisation should be worth the price of earplugs. Nicolay has already made a name for himself by wiring a dilapidated tank and fragmenting a sneeze into a startling inhuman orchestra; McKinlay is the man behind the harsh-noise project named the Rita. Both artists appear as part of EnviroSonic, the season opener of the biennial Soundwave>Series. This show also features fellow Canadian Diana Burgoyne, creator of the haunting Audio Quilt, a physical tapestry of 10-second recordings culled from each town where it is hung. Tonight, Burgoyne will literally draw sound across 10 amplified canvases, revealing an elemental reaction between graphite and copper that can only be silenced through erasure. Lyrical beauty will be brought to this cacophony by the Bay Areas own Beno + Minnie, who speak in a postmillennial language using flickering images, tree boughs, hollow-body guitar, and lingering vocalizations. Audience members will be asked to sign a waiver of liability to enter.
Fri., June 27, 8 p.m., 2008